One of many beautiful basses from him.Here is what Sean did for me. What a great job he did.View attachment 3244146
Nice to see someone willing to finish a bass in something other than black, white or sunburst.
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One of many beautiful basses from him.Here is what Sean did for me. What a great job he did.View attachment 3244146
I have a 2016 EBMM Cutlass bass. An absolutely perfect bass in tone, fit and finish IMO. I have had GAS for some time about acquiring a G&L LB100, especially in a metallic or flake finish.
Found one at a local Guitar Center in Red Metallic with a Tort pick guard and a beautiful wood, top binding.
I really don't need an 8th bass, so I brought in the Cutlass to see what trade I would get.
What a disappointment the LB100 was. Knobs seemed loose and cheesy compared to the Cutlass. The color was beautiful, but the neck and fret dressing was terrible compared to the Cutlass. Both necks were 1⅝ at nut.
Was this just an aberration? I keep hearing about how awesome USA LB100's are. Not my experience so far.
Anyone else out there played both? Just wondering what your thoughts are. I'm not trying to trash G&L. Needless to say, I kept my Cutlass bass.
Bad G&Ls are quite rare, but they're out there. Wish I could say otherwise.I have a 2016 EBMM Cutlass bass. An absolutely perfect bass in tone, fit and finish IMO. I have had GAS for some time about acquiring a G&L LB100, especially in a metallic or flake finish.
Found one at a local Guitar Center in Red Metallic with a Tort pick guard and a beautiful wood, top binding.
I really don't need an 8th bass, so I brought in the Cutlass to see what trade I would get.
What a disappointment the LB100 was. Knobs seemed loose and cheesy compared to the Cutlass. The color was beautiful, but the neck and fret dressing was terrible compared to the Cutlass. Both necks were 1⅝ at nut.
Was this just an aberration? I keep hearing about how awesome USA LB100's are. Not my experience so far.
Anyone else out there played both? Just wondering what your thoughts are. I'm not trying to trash G&L. Needless to say, I kept my Cutlass bass.
The frets in many places felt like they were protruding from the sides of the neck.
Loose, the entire knob moved when you turned it. Sharp edges.
Once the bass leaves the shop, it is subjected to all sorts of hands and environmental conditions. No bass with a wood neck is immune to fret sprout (sharp fret ends). This is due to the humidity where the bass is. Dry weather will cause the wood to shrink, but the frets don't. Loose knobs can easily be tightened. Provided that the pots are decent quality, nothing should be loose or moving.
It really is up to the retailer to keep the instruments well setup and in good working condition. It is unfortunate that the manufacturer gets the blame when they have no control once it leaves the factory.
I got a US LB-100 and the fit and finish is outstanding. One of the finest P basses I've ever handled. Sounds to me like a fluke of the QC or an abused instrument. Always heard only the best about Cutlasses and would love to try one.I have a 2016 EBMM Cutlass bass. An absolutely perfect bass in tone, fit and finish IMO. I have had GAS for some time about acquiring a G&L LB100, especially in a metallic or flake finish.
Found one at a local Guitar Center in Red Metallic with a Tort pick guard and a beautiful wood, top binding.
I really don't need an 8th bass, so I brought in the Cutlass to see what trade I would get.
What a disappointment the LB100 was. Knobs seemed loose and cheesy compared to the Cutlass. The color was beautiful, but the neck and fret dressing was terrible compared to the Cutlass. Both necks were 1⅝ at nut.
Was this just an aberration? I keep hearing about how awesome USA LB100's are. Not my experience so far.
Anyone else out there played both? Just wondering what your thoughts are. I'm not trying to trash G&L. Needless to say, I kept my Cutlass bass.