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Ernie Ball Stingray - NAMM Bass of the Year

My 06' is satin finish and feels great.
Sadowsky had said that he didn't care for roasted necks as he felt the wood was unstable.
Looks like MM has had different experiences with this material.

On the Special, is the pickguard painted or did they figure out how to mold a metallic finish onto plastic?
I’m not sure what you’re on about with the pickguard.
 
My 06' is satin finish and feels great.
Sadowsky had said that he didn't care for roasted necks as he felt the wood was unstable.
Looks like MM has had different experiences with this material.

On the Special, is the pickguard painted or did they figure out how to mold a metallic finish onto plastic?
Oh I see. That’s a custom sparkle aftermarket pickguard.
 
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In light of the fact that EBMM could have easily left well enough alone and sold the various basses in their previous build spec for many years with no changes other than yearly color choice variations, for them to have taken a serious effort to lighten, improve, and fine-tune these already-classic instruments is commendable, and deserving of the accolades they're received. This could have easily been a massive, unplanned screw-up, but they did it right, the axes ARE improved, and my hat's off to them.
 
My mention was too broad.
He feels that roasting a figured neck would make them more unstable.


That's not what he said at all.

A figured neck is inherently less stable than one made from non-figured wood.

He clearly states that only stable figured wood survives the roasting process - ergo, it was a stable piece of wood to begin with, and had been further stabilised by roasting.

That's why he's now able to offer figured necks.

EBMM used to use fantastically figured wood in the 90's.

I'd initially assumed that those stocks had dried up in the last 15 years - but evidently they elected to make the necks as stable as possible, for the benefit of the primary purpose of the instrument (cosmetics taking a back seat), and have taken this further by now roasting the necks as standard.

Of course, the "Classic" line still offers non-roasted, highly figured necks, if that's what you want.
 
That's not what he said at all.

A figured neck is inherently less stable than one made from non-figured wood.

He clearly states that only stable figured wood survives the roasting process - ergo, it was a stable piece of wood to begin with, and had been further stabilised by roasting.

That's why he's now able to offer figured necks.

EBMM used to use fantastically figured wood in the 90's.

I'd initially assumed that those stocks had dried up in the last 15 years - but evidently they elected to make the necks as stable as possible, for the benefit of the primary purpose of the instrument (cosmetics taking a back seat), and have taken this further by now roasting the necks as standard.

Of course, the "Classic" line still offers non-roasted, highly figured necks, if that's what you want.

I love the figuring on the classic necks and the old smoothie, but after a few minutes of playing me hand gets all gummed up on that super high gloss neck. I wish I could get one with a matte finish.
 
I knew this was a special bass the moment I picked one up from Chicago Music Exchange @cmebass (thank Marc). But I didn't realize it would become NAMM's Bass of the year.

Congratulations Sterling Ball and the team at Music Man @scottball for continuing to build amazing instruments and being able to stay focused on the fit / finish and details that we bassist so greatly love.
View attachment 3299481

And of course a picture of my beloved Stingray Special.
View attachment 3299482

Congrats man! What an honor!
 
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I love the figuring on the classic necks and the old smoothie, but after a few minutes of playing me hand gets all gummed up on that super high gloss neck. I wish I could get one with a matte finish.
IF...you want to take a chance and that MM bass IS your long term musical choice, a light use of a ScotchBrite pad on the back of the neck, just enough to dull the finish, will get you a faster less-friction result.

Don’t sand it like you’re doing a refin, just to remove the gloss. Wipe off the dust, and see if it helps. I did this to my Precision V and Dimension V and redo it every few months. I’ll scotchbirte it more if I am gigging a lot.
 
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Hats off to EBMM. They listen to their customers and sell them (us) what the market calls for. Rather than telling the market what it will accept. It takes courage to do that time and again - especially when the inevitable dud happens. Thanks for the great products!
 
I knew this was a special bass the moment I picked one up from Chicago Music Exchange @cmebass (thank Marc). But I didn't realize it would become NAMM's Bass of the year.

Congratulations Sterling Ball and the team at Music Man @scottball for continuing to build amazing instruments and being able to stay focused on the fit / finish and details that we bassist so greatly love.
View attachment 3299481

And of course a picture of my beloved Stingray Special.
View attachment 3299482

What's so special? Looks like the same old stingray
 
D328C8F0-8C17-4A71-BC0A-6B2A7A4EE6E0.jpeg


Love my new Stingray Special 5, makes a nice pairing with my 78 B00 - bass ...
 

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