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Ever pass on a bass because the pickups aren't "comfortable"?

Peavey T20 also had a thumbrest built into the pickup

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Here's my thing: If that were the only great sounding bass I could find, I'd figure out how to get comfortable on it. But with plenty of other basses that I love the sound of AND the feel of, it seems silly to completely rethink my right hand position and technique. It's mostly just that I don't like change I guess.

I appreciate your candor.

I think you're kind of making my point. I don't worry about restrictions because over the years of playing I trained my right hand to be effective in various positions. In truth, the differences are subtle once you let yourself go. So, all the amazing bass styles and pickup configurations are pretty much valid for me. I'm so spoiled that I cannot settle on "one" bass with the perfect right hand feel, I need to rotate between several very different styles and I reap the tonal rewards in the process.

I'd encourage anyone to be a little more open-minded in right-hand anchoring and not lock into one and only one position. It's not as hard as you might think.
 
I just remembered another one.
The pickup place on the 5 string Warwick Thumb is really weird. The 4 has one that is a little back from a P bass position and then one right on top of the bridge. The 5 has them parallel and slanted Dingwall-style and it is super hard to play. I'm not used to playing on the bridge pickup on a jazz, and this was a total deal breaker for me. The 6 uses larger humbucker sized pickups. I don't know why each one is different, but if I had the money I would have to do either the 4 or 6.
 
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I do the floating thumb thing for muting. I had an instructor once who told me to NEVER rest your thumb because it restricts your hand movement and leads to ringing notes that you don't want, but obviously lots of guys do it and make it work. I have a different problem however with regard to pickup placement. I need some space in between the two pickups or I just can't attack the strings the way I want. I also have never gotten the hang of plucking directly over a pickup, I feel cramped that way. So for me a standard P/J configuration just doesn't have enough space, nor does something like a G&L L2000.
 
I like it when I anchor my thumb for the anchor point (not necessarily a pickup) is equal to the string-to-string distance.

So, for instance when I had a ramp on my jazz bass, it was a bit longer than the bridge pickup overall, but was affixed so that the top was slightly lower than the tops of the pickups. The lower portion (below the G string) hung down a ways below the pickups. This was to make it more comfortable for me to do the double-thumb-and-pop kinda stuff without my index/middle/ring finger getting hung up on the bottom of the ramp and to provide a consistent playing surface when using my thumb down there as well.

I'd tried it a few other ways and found that to be the most satisfying for me.

I ordered a few pickguard blanks so that I can stack them when I'm rebuilding my Hagstrom (the original pickguard is mostly bits of cardboard and bondo from a previous owner hacking all kinds of pickups into the poor thing).
 
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I also float when playing in A or above, but not if I'm staying mostly on the E string. So I spend a lot of time using the pickups as thumb rests. The only bass I've found REALLY uncomfortable is my T40, but it's missing the front pickup bezel. Hope to remedy that soon. Actually the back one is cracked and sharp, but I put a piece of electrical tape over the sharp part til I can order new bezels. I have noticed if I get carried away with my G&L, I actually push the pickup down on the springs a little. First time it happened I thought I broke something!! o_O
 
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