I have ones I'm less encouraged to try, but I still do play the less favoured brand from time to time, just to see if my tastes have changed or if I'm missing out on anything. So far, so good.
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EHX, I just keep hearing they crap out on you.










MXR QC sucked big time recently. The MXR Vintage bass octave had a missing attenuator, the dyna comp clips and the thump preamp apparently has a clipping issue also. (Mini putt hand claps.)Well, I will say that I'm a total fanboy of their Way Huge line, but their 3-lettered line leaves me disappointed every time.
I know that people swear by them so I don't want to draw anyone's ire.
Then why are you still visiting ours?Ive written off entire planets

I don’t really cotton to Gibson’s either. Would have loved to loved the EBO, but found it weird in feel and was never a fan of the mudbucker sound.I guess I wrote off Gibson basses (not guitars) a long time ago. I know individual basses like the T-Bird or EB style have their proponents, but I've never picked up a Gibson bass that wasn't terminally neck heavy, or in the case of a Victory, a Boat Anchor. Too bad too, because the Victory is otherwise a pretty nice bass. Does that count as "writing off"? They never really enter my mind as an option, so I guess it does count. The famous "quick removal headstock" feature, with huge headstock, short grain mahogany, and no volute, which they insist on repeating despite the fact that even the most hack carpenter could tell you what a bad design that is, makes me think they really don't care about the longevity of their instruments, and don't have much interest in basses period. Meh.
Well, I will say that I'm a total fanboy of their Way Huge line, but their 3-lettered line leaves me disappointed every time.
I know that people swear by them so I don't want to draw anyone's ire.