Anyone know of good examples of palm muting in jazz walking bass?
Teymur Phell gives a great example on Mike Stern's recent album Trip. Check out "B Train":
This is a contrafact for "Take The A Train." In the first choruses, Teymur walks with muting. Then he opens up for the sax solo (right after Mike's solo). The effect adds a sense of orchestration to the small group, with the regular walking contrasting the muted walking in the first half of the tune.
I don't know of other examples and would love to hear if you know of any.
Cheers,
Jim
Teymur Phell gives a great example on Mike Stern's recent album Trip. Check out "B Train":
This is a contrafact for "Take The A Train." In the first choruses, Teymur walks with muting. Then he opens up for the sax solo (right after Mike's solo). The effect adds a sense of orchestration to the small group, with the regular walking contrasting the muted walking in the first half of the tune.
I don't know of other examples and would love to hear if you know of any.
Cheers,
Jim