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Excellent post ....For the record; the issues where with ME, not the builder.
Russ Laggan did some nice work. The thin, wedged bodied is very cool, and the neck feels awesome.
I let the tail wag the dog in wanting full access to a 31 position f-board.
The limited benefit didnt come close to the cost; odd PU positions and lack of sit-ability.
And while the Spalted Maple makes for cool photos, I now know super-exotic tops are just not me.
SO- -the answer to some of my what ifs was you won't like it".
But the main lesson;
Communicate very clearly and verify every spec!
Due to my lack of the above mentioned, the string spacing and neck placement were different than I wanted.
As much as I've tried, I'm unable to feel "at home" on this bass .
Other than the communication issue, no regrets. I knew there were risks.
On the Ramirez 7:
Shorter fingerboard, standard woods, more convential PU placement, - -
Wilser can tell you how PAINFULLY detailed I get, and how often I communicate to "double-check" the specs.![]()
If people would simply listen without trying to dissect every nuance of the technical aspects, maybe we could all make some more music ....![]()
Beautiful Basses!!

I'm not sure that is THE Al Caldwell .... his TB user name is simply Al Caldwell without the "11 after it ...Al, on behalf of all TB, i'd like to make a request for you to post your basses!!
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Just to be clear on my end of things, I think it's critcially important for those with (for the lack of a better term) engineering/physics skills to research and develop materials that produce the best sound possible. I have high regard for anyone that holds those types of skill sets. Without them we'd likely all be playing 2x4 studs with rubber bands mounted on a washtub ...Thats a pretty valid point and something that irks me here sometimes.
I'm not sure that is THE Al Caldwell .... his TB user name is simply Al Caldwell without the "11 after it ...
And, for sure, Mr. Caldwell has beautiful basses and is a superb player ....![]()
But then you get all the fun!
I particularly like "What are them two for then?"
(In some situations) I've said they're spares, so that if one or two break, I'll still have the right amount.
Its funny, I've found that makes more sense to most folks!
i had a gig at a club known for, among other things, a lot of country acts, about a month ago.
dude came up to me as i was warming up unplugged and asked me what did i need a 7 string for in the band i happened to be playing in. i said "i play in more bands than just this one". he then said but why bring it? i said "because this is what i play". he then asked me some nonsense b.s. about the instrument and who did i think i was or some such crap and i just looked at him blankly and said "what?" he asked again, a little louder, and i leaned forward and said "what?" again. he started asking me again and i just put my hand up and shook my head, saying "sorry i can't hear you over the awesome" as i pointed at my unplugged conklin.
i then smiled, turned my back on him, and walked away.
bet the dude was a bass player, too. otherwise, he wouldn't have cared so much. heh.
bet the dude was a bass player, too. otherwise, he wouldn't have cared so much. heh.