• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Favorite D.I. Box

What D.I. do you/would you like to have on your board?

  • MXR

    Votes: 18 5.8%
  • SansAmp

    Votes: 139 45.0%
  • Sadowsky

    Votes: 39 12.6%
  • Aguilar

    Votes: 21 6.8%
  • Fodera

    Votes: 3 1.0%
  • Other

    Votes: 89 28.8%

  • Total voters
    309
maxvalentino said:
arggh! Just an oversight...too much coffee..not enough coffee
I dunno...

In bang for the buck the Fishman ranks quite high. A very verstile and musical device with a controllable HPF and nicely set graphic eq. The opto-compressor is a very nice feature which is just great for mild "smooth-in" of bass transients.

Sorry I overlooked that one, especialy since one is sitting right in fron t of me!

Max
Max,have you tried the Samson Technology DI ( the blue box as it is refered to) I tried 1,and thought it was pretty damn good for $50.00 bucks.I know it is purely subjective but I think if you're dealing with limited funs,then the Samson might not be a bad way to go.
 
burk48237 said:
I invested in the U5 because of all the churches I played, it just didn't make sense to play a 2500 dollar bass thru a 2500 dollar bass amp into the 29.95 direct box for the PA mains. I now run it in front of my Eden WT300 and just use the Eden EQ for a little room tweeking. I played one church that had a demeter tube di with an agular bass pre at the board but they liked the avalon better! I just added a Sadowsky Metro to my rig and I'm in heaven with the U5, my Buzz dosen't sound bad either! I run the Avalon as the last piece in my pedal board and that seems to protect it adequitly. Deffinently the best 499 I ever spent , it makes every bass sound better, but it makes the really good stuff sound unbeleivable!
I can dig what you are saying but I gotta tell ya,I played at a church a few months back that had nothing but the Wirlwind IMP DI'S ($30.00 bucks..maybe ?) and these little suckers" raised some eyebrows,because at that time I was using my MTD 635 while going thru a 4x10 Eden xlt,and a Galien Kruger 1001RB and MAN ! it smoked.
 
carl-anton said:
Sorry if this is the dumbest post in this thread, but why don't you just make the PA-guys mic your stack up? I bet the guitarist is getting a mic, so why shouldn't you? The way you describe your sound, it looks like half of it is due to your amp and cabs, so DI'ing your bass only get's half of your sound. I always make the PA guys mic my cabs because overdrive and distortion sounds horrible through DI's (hence the speaker simulation on DI with overdrive like the SansAmp and EBS).

If mic'ing is out of the question I guess the SansAmp or the Microbass II is the way to go, or maybe the DI wizards lurking around in this thread has some tricks to help you out.
,but a real good DI cleans up your signal which cleans up your tone,however if you have a lousy sounding rig (for whatever reason soundman,bad tube,etc.) I would think the LAST thing you'd want to do is stick a mic in front of it
 
hands5 said:
,but a real good DI cleans up your signal which cleans up your tone,however if you have a lousy sounding rig (for whatever reason soundman,bad tube,etc.) I would think the LAST thing you'd want to do is stick a mic in front of it

But that sometimes is the problem,... it's too clean.

I've got a Ken Smith running into a SWR head and Yorkville cabs playing in a rock band and sometimes a mic infront of my 2x10 speaker is just the sound the PA needs out front. It gives a natural compression from the amp/speaker and bumps up the mids to punch through instead of this huge low to high clean signal of the DI.

I work with the sound man and do not demand anything from him. He knows the PA, the room and his gear and he can make the band sound like crap with out a thought so I set up and he can see what he wants to do with the gear. 9 times out of 10 it's a Pre EQ DI out of the amp. I'm usually cool with that beacuse I run a pretty flat signal with a little compression and a boost channel with my BOSS ME-50B and the Tube in the SWR helps to warm up the sound going to both the PA and speakers.
 
Phyrexian said:
Quite an interesting topic here...

I'm a gigging bassist myself; I play a nice SVT-3 PRO amplifier and the overdriven sounds I get from it are just plain fantastic. The sound of my dreams imho. Anyway, it sounds great through my cabinet and the sound in the studio is very good in the studio with decent microphones.

But I'm having problems on stage. We gig a lot. PA-guys mostly want to use there own DI's. But that way my sound is clean in the room, although my amp sound is overdriven. I don't like that at all.
The SVT-3 has a DI-out by imho it sucks. A lot. The overdriven tone is very very harsh, very ugly.

I'd like to know what DI gives me the best reproduction of an overdriven SVT-3 Pro???

Question: The overdrive is all preamp overdrive right? Then put a DI box in your effects loop, or even just from the effects send.

HTH
Jack
 
I thought the prolem was the QUALITY of the sound, not the actual sound. It is solid state, so the sound that comes from the poweramp should be the same as the sound coming from the preamp.

See if you can borrow a DI from someone or try ont oue in a store. Im afraid DIs arent my specialty, but if you look through this thread, youll find a post by maxvalentino where he recommends various DIs in different price ranges. Im thinking that most if not all would work with an effect send, right?
 
I bought this thing as a direct box and it excells but like I said in my post I'm now setting my eden flat and running my U5 as my last piece (before my amp) occasionally I'll adjust the eden if the room is funky. But I would certantly consider using the U5 directly into a power amp, I have NEVER heard a bass that dosen't sound better plugged into this thing. #2 At most churchs (larger ones) I don't end up using an Amp I just run the U5 into the mains. HANDS 5 In that gig at the church was the congragation hearing you thru the mains or your amp, Whirlwinds aren't bad and excellent values but I have a feeling your jaw would drop if you heard the U5 . Another quick note the countryman is an excellent unit, but try before you buy there are some active bass pres it dosen't like and gets real noisy.
 
Wow, this thing kicks ass.

I just used it through a 5hr session with my passive jazz bass. It's never sounded so good!

I was actually looking for the passive JDI, but Guitar Center didn't have it in stock, and actually recommended the active box for passive basses (I've heard this before).

Anyway, it just kills. Simple, clean, punchy and crisp. My bass sits right there in the mix with no fuss. I can't wait to try it with the Lakland P-bass I've got coming to me!

I really do believe this thing is a significant notch up above the Sansamp. Obviously, it's not a preamp, but it sounds much cleaner than the Sansamp does when just used as a DI.
 
I now use the Avalon U5 as my only preamp/di with both electric annd upright. I love the thing--it just sounds great all the time

Henceforth I'm referring to it as "my beloved Avalon U5." It's not that expensive if you think of it as both a preamp and a di
 
Okay, it looks like this is the thread for some of my questions on DI's. I have two potential uses (three, really, but more on that below) for a DI, and from all that I have read, it sounds like I might need two different boxes to cover all these bases.

First, I'd like a quality DI box to use with my Walter Woods. Walter heavily recommends that you use a seperate DI box, and his DI is only 1/4". With a head like a WWU, you are not going to want to degrade your signal in any way, so a quality box, with a very uncolored tone is going to be ideal. It seems like a Radial, Avalon, or maybe Raven Labs DI would be great in this regard.

Next, in some circumstances, I might like to have a DI placed at the front of my rig, and in this case I would be looking for a unit that actually adds something to my tone. One of the tube units (Aguilar, Demeter, Ampeg) might be more appropriate, here. A unit that could act as a standalone preamp (like the U5) might have some added usefulness in this regard.

The third potential use for such a box would be as a buffering preamp for a piezo-equipped instrument, but I am really quite happy with my Stewart UDP-1a in that regard, so I am not really looking for a unit to fit this need.

On the one hand, it seems like the U5 fits darn near all of my wants/desires. But, on the other, it might be nice to also have something that adds some "tonal flavor", like one of the tube boxes (though I certainly don't want to go all "Max V" on the DI thing - I've got my cab/amp addiction, after all!).

Talk to me folks! I appreciate any feedback aimed my way.

Tom.
 
Tomboulus, I met a friend of yours tuesday at LDS, Doug from dearborn, MI. Anyway,I am ignoring the front end of my Eden Traveler now. The U5 is just too fine... It really does open up your sound. and it is not without some adjustment. There are six tone settings , one of which is flat. they are basically preset EQ curves. I find three of them are usable for electric, one sounds great with my acoustc gutiar, and the other two are aimed for upright. There is also a high cut filter. I am amazed at how much better this unit makes most basses sound, ecspecially the passsive ones. But it is not a twitch, fiddle, and adjust preamp. It kinda reminds me of my Metro, just gobs of great tone, you really don't want to adjust it!! Why fix something that not broken