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Favourite recorded bass tone

I love the bass from Dangerous toys first album.
Kinda gritty..I thought it was a p bass...But I read he only used Kramer basses...but you know how that goes.

These are from 1989...so....yeah..some of you kids may have never heard of them.
The GnR thing had been going on for a coupla yrs by then. So I think thats why these guys never got the puplicity they deserved.

Heres some links:


Basically the beginnings you can get the idea...but most of the songs on the album are awesome sounding bass wise.
 
1) Lemmy Kilmister : Stone dead forever

2) Steve Harris : the Rhyme of the Ancient Mariner

3) Cliff Burton : Anestesia (pulling teeth)

4) Duff McKagan : It's so easy

5) Geezer Butler : Bassically

Is my impression or rock'n'roll/metal bassists on this board get very little love?:hiding::hiding::hiding:
 
I love the bass from Dangerous toys first album.
Kinda gritty..I thought it was a p bass...But I read he only used Kramer basses...but you know how that goes.

These are from 1989...so....yeah..some of you kids may have never heard of them.
The GnR thing had been going on for a coupla yrs by then. So I think thats why these guys never got the puplicity they deserved.

Heres some links:


Basically the beginnings you can get the idea...but most of the songs on the album are awesome sounding bass wise.


Kramer owned Spector, although Kramer made the Forum I, which was basically a Spector with a few small changes, but very similar sound. As with most hair bands, active P/J or hot P/J pickups contribue to a lot of the tone.
 
I remember reading that Tony Levin placed diapers under the strings to dampen the sound for the recording of Don't Give Up

I also rember reading that he double tracked the bass line one octave up on Sledgehammer using a stratocaster

I always loved Chuck Rainey's tone on Aretha Franklin - 'till you come back to me -

Tom Peterson's sound on Live at Budokkan is amazing

Grahm Maby using an Ibanez on Joe Jackson Look Sharp,

Tiran Porter with Doobie recording always a tasty P-bass with a pick sound
 
Josh David (changed his name from Antwan Barrett) on Q-Tip's solo album 'The Renaissance'

Check out this tone... growly, dirty flatwounds on a Jazz bass.. not your normal motown flats on a Pbass tone( which i do love too)

 
I might be the only one but Alien Ant Farm's first cd The whole thing
particularly this song.
Ive been saving/searching for a five string with that much....BALLS
also he is one of my favs in terms of just knowing the best parts of when to use the low b notes. Very much worth an listen IMHO


Edit: the first few bass notes in the bridge of this songand the guitar solo...ahhhhhhh
 

I've to confess, I'm just arrived and I'm mianly a guitarist...I chose to play guitar because I always considered bassists "boring" and technically limited...besides the guys I cited: they are able to play bass and compose a song just with that instrument, which is not easy, at all.

To me, half of the names cited here fall in the "boring" category, and I'm quite surprised to see that Cliff and Lemmy are mostly ignored by the users of this board, in comparison with people that with all the respect aren't able to compose a song like Orion, Marcus Miller first...or the other "slap heroes".

:hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding:
 
I've to confess, I'm just arrived and I'm mianly a guitarist...I chose to play guitar because I always considered bassists "boring" and technically limited...besides the guys I cited: they are able to play bass and compose a song just with that instrument, which is not easy, at all.

To me, half of the names cited here fall in the "boring" category, and I'm quite surprised to see that Cliff and Lemmy are mostly ignored by the users of this board, in comparison with people that with all the respect aren't able to compose a song like Orion, Marcus Miller first...or the other "slap heroes".

:hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding:

:hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding::hiding:
 
Lots of tones out there that I like...but to nail it to one single recorded tone is easy -- at least for me.

Dan Birney with Head East on "Never Been Any Reason" and especially the solo section.

That's what I've always tried to mimic, or at least get really, really close to. Got just a smidge more "bite" than I like. To me, it sounds like he might be using a pick or new stainless steel strings (Rotos?). Since I do neither, I'm good with that.



dcr
 

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