I still stand by the fact that they are the same.
Where's the fact? I mean you need to submit some evidence. At least I own both models.
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I still stand by the fact that they are the same.
I remember playing some L series Precisions that had wide, but relatively thin front-to-back dimensions (Post '62?). I'm not sure what year Fender started that neck though. I've got a '57 reissue Mary Kaye (ash body) P bass and the neck is 13/4, pretty thick front-to back...a plank.
My '62 RI P neck is farily flat front to back and my '57 RI P (trans white on ash) is thicker. However I don't for a minute doubt that there are production variations.

When did they make a Mary Kaye reissue?
I thought the 57 Blonde was it.
I never knew they issued it with gold hardware.
The thickness of the neck you describe is interesting also.
My Mary Kaye was built late '88-early '89. Acquired it recently. I'm not sure if they were offered in other production runs or not. I've read somewhere that these Mary Kayes were one of the early Fender Custom Shop creations. Not sure if that's true or not...but the finish on it is exceptional.
sedan_dad said:When did they make a Mary Kaye reissue?
I thought the 57 Blonde was it.
so basically no one knows because everyone is arguing about it?
Historically speaking, the real 57 and 62 necks were both 1-3/4, but the 57 necks had a soft V profile on the back which made them a little thicker, while the 62 had a pretty flat C profile on the back. If I remember right, the fullerton reissues copped the different profiles including the fretboard edges. But I think FMIC got lazy since the 90's and just runs both with similar profiles.