Agreed. Unfortunately though, whenever Fender tried to re-create or re-design something "newer or fresh", it failed to the masses and was considered a flop. (re: Dimension)...its almost as if they're hands are somewhat tied.I understand what you're saying here, I guess I didn't think of the 'reissue' tag.
My line of thinking was that a P bass is essentially a P bass, which is essentially a P bass. Be it a reissue, a signature model, an American Professional, American Standard, etc, it's essentially still the same body, same pickups (with some variation, but same configuration and basic design), same neck with minor shape, width and fret variations.
Does that make any sense? Not arguing or bashing Fender in the slightest.
I have a couple MIA P's, AND a Dimension IVHH......the Dimension (albeit a masses "flop"), is probably one of my fav basses to noodle around width - it's easy to play, great neck and has a ridiculous variety of tones. Having said that - the QC originally had some fret issues and a input jack short. Warranty covered that -
Infact, now that im thinking about it...my AVRI 63P, which i bought brand new, went back for some weird fret buzz and dead notes...(after having it a week) and they had to replace the entire neck! So, maybe its GOOD that Fender re-releases the same models year after year and tightens their QC. lol
I dont tend to be "brand loyal" in any sport/hobby...i buy what I like or suits ME.... Prob why i have Spectors, Fenders, Dingwalls, G&L, and a Wal.
My 1970 Fender P, of ALL my basses, does have one of the most stable necks in my fleet - luckily - cuz truss rod adjustments suuuuuuck having to take the neck off. So having some vintage goodies and some updated (truss rod) goodies, is my interest in that line up.
Regardless to what anyone buys (non-fender), they are still (and likely always WILL be), the benchmark everyone compares too. IMO