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Fender J or P Bass?

Hey Fellaz,

Trying to get a consensus on which of these most would prefer for Blues & Southern Rock...Both U.S. versions P-Bass or J-Bass.

The rig is an Ampeg BA500 2x10 with the additional 1x15 cab @ 500 watts. Just wondering if the Jazz would be too thin.

Thanks for any input.
 
Thanks all...

The tone is more of what I'm looking for. The neck is a difference of 1/8" (1 5/8") in favor of the P-Bass correct, and the Jazz is a little longer and wider if no?

I'll try to get to SA or GC to get a real world comparison, But the P-Bass is what I'm leaning toward... I'm thinking.
 
I see a lot of old school southern rock video footage where the bass is a Jazz. As far as blues goes,Tommy Shannon of Double Trouble (ofcourse) used a Jazz quite a bit. Sometimes a P but most I've seen a Jazz.

If your a guy who prefers note definition then I'd say either a P with flats like TI flats (IME they really give a P some J type definition). Or a Jazz with a pickup and/or string combination that gives plenty of thump (if your concern is thump maybe missed).
 
IMO- comfort would be the major consideration-especially the fretting hand with neck size- 1.50 vs. 1.75 I have B-neck Precisions(1.5/8) and they fit my hand like a glove-
pun intended. Long, sweaty, whisky-soaked sets at the local roadhouse require extreme
comfort. String choice and tone settings will season your southern,sonic recipe
 
Also, consider an American Deluxe P bass. Kind of a compromise between the 2, and 18 volt preamp to boot. Nice thin "ish" neck, downsized body, and lots of tonal options. With that amp, you'd kill. ( I had a BA500 with an 18 under it. Not my tone, but man was that thing loud.)
 
I see a lot of old school southern rock video footage where the bass is a Jazz. As far as blues goes,Tommy Shannon of Double Trouble (ofcourse) used a Jazz quite a bit. Sometimes a P but most I've seen a Jazz.

If your a guy who prefers note definition then I'd say either a P with flats like TI flats (IME they really give a P some J type definition). Or a Jazz with a pickup and/or string combination that gives plenty of thump (if your concern is thump maybe missed).

+1

I read Tommy Shannon's favorite bass is his early 60's jazz, it's what he used on all those SRV recordings.

Personally I used P-basses more for blues but a jazz absolutely works, you just need to use it accordingly (i.e., use the neck pickup).