• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Fender Marcus Miller 5 vs Sadowsky RV5

I've not tried the 5 string versions but having tried the 4 string MM, I remember not being very impressed with the preamp. I remember thinking that the bass was great but that fender skimped out on the preamp.

I ended up purchasing a sadowsky ultra vintage jazz bass. This one:
Various036.jpg


I love it. As you can see, classic marcus - ash, maple, 70's jazz pickup placement. But I understand what the thread started mentioned - a fender it is not.
 
Nice - I especially like the finish color on your MM5. It's a departure from the natural ash we usually see, and IMO, a little more distinctive.

I am with you all the way on the Marcus pickguard, as well.
 
I've not tried the 5 string versions but having tried the 4 string MM, I remember not being very impressed with the preamp. I remember thinking that the bass was great but that fender skimped out on the preamp.

I ended up purchasing a sadowsky ultra vintage jazz bass. This one:
Various036.jpg


I love it. As you can see, classic marcus - ash, maple, 70's jazz pickup placement. But I understand what the thread started mentioned - a fender it is not.

Dude, everything about that bass is nice!!! I love the natural ash finish and the blocks on the maple neck. Super gorgeous bass you have there bro. BTW, is that a NYC?
 
I'm a recent convert to the Miller 4 from Japan. I've ordered a Sadowsky outboard pre as well, so I can try it with my 2008 American Standard Precision as well. I find the preamp in the Marcus is a little on the harsh side & serious amount down on output compared to my Status basses. But the attention to detail on the Marcus is astounding & the build quality is stunning!

As for the person who said that you should just "turn up the gain", he's obviously never had the "jazz" problem where increased gain just increases harshness at the same time.
 
I
First of all, I generally think "vs" threads can easily head in the wrong direction. Players get defensive, and unconstructive exchanges go on. Please let's not get into that here. That is not going to help anyone out.

I simply post this because I had and happily played an RV5 for several years and recently changed to a Marcus Miller 5 for my own reasons. These are both excellent basses, and no disrespect is intended to either bass.

The RV5 was a bass that I purchased directly through Roger. He worked very closely with me for some upgrades. The bass weighed in at 9 pounds even, and Roger installed single coil pups and the VTC. My intent was to get really close to a '60's J feel in a 5 without going for the NYC price point. Roger was an outstanding guy to work with, considering it was a Metro. He gave it full support. I played this bass on many gigs with blues and R&B acts. It sat in the mix really well, and delivered excellent tone into whatever amp I plugged into with no help from any other preamps or other input devices. These preamps put out a chunk of output volume with good tone, and are brain dead to get a good vibe into almost anything.

But...I did not personally dig the string spacing. And, I did not really feel like I was getting the J clanky tone in the lower mids that I was looking for. (shrugs)

Then, I happened by the Bass Place intending to try out a Shuttle and happened to check out this Marcus Miller 5.

Long story short, the RV5 was sold on eBay and the Marcus came home. My wife and I have an agreement that something has to go before something else comes in. It is the anti-accumulation clause.

The eBay sale only netted a little over $1500, which surprised me a bit. I would have predicted closer to $1700; but, I guess that is the state of the current market.

Now, on to the Marcus.

This bass weighs in at 8 pounds 10 oz. It has (Gasp) a slight gap in the neck pocket, which affects absolutely nothing at all. The neck is rock solid. The string spacing is a bit tighter than the RV5, but, I think still wide enough without being too wide. It just feels like a J with an extra string. In fact, the overall neck feel and profile is just exactly what I would have expected for a J, but in a 5 string format. Perfect. Oh, the B string is ultra tight and punchy.

The preamp may have some lineage, at least in design, to Roger's circuit. It adjusts in the same sense that a little bit goes a long way. It seems that the circuit is 18V on the bass and treble boosts. But, the overall volume output is passive; which is where there is an enormous difference with the Sadowsky circuit. This literally plays like a passive Fender (which it essentially is), but the tone controls are active. This means that I sometimes need a tube preamp to help the input to some amps. That is kind of a delta for the Marcus. However, the tone is 100% pure Fender clank. The real stuff. Harmonics absolutely scream out of this circuit, and it doesn't hurt that the bass is really resonant. Great bass for pizz. Of course, the slap tone is also there in spades. This is an awesome effort by Fender which absolutely meets my needs for a 5 string jazz bass with a few exceptions noted below.

So, what I don't care for.

Well, for one, the Marcus pickguard is great for Marcus, but I would prefer the standard format. I'm not Marcus, and don't really care to ape his thing.

Then, I would also have preferred a rosewood board. Sorry that is just my '60's pref showing through.

Finally, I adore the tone, but I wish the overall output was hotter, like Roger's circuit. You can boost the treble and bass, but that makes the tonality out of wack.

These are kind of nitpicking things, but what the heck. All in all, Fender and MM did an amazing design on this bass. If Fender would only use it as the basis for the rest of their 5 string line up, they would finally be delivering what a lot of cats have been looking for in a J5.

To summarize: both great "production level" professional basses, depends on what the player is looking for. Isn't it nice to have choices?

My 2c. Enjoy!
I have the MM5 in the Vintage White and while the pic guard doesn't bother me ( Larry Graham was the 1st to have it anyway ) I also play the MM5 in passive,because the preamp is down right terrible,however recently I picked up the Seymour Duncan ( outboard )Paranormal DI/Preamp and it has made an AMAZING difference when I want to swicth the bass to the Active mode
 
I had the same dilemma. I ended up liking the pre and leaving it in. I think others have tried the OB-3 with good results, but youve prob read those posts already.
Been there with the OB-3 and it really wasn't anything to write home about,but there's a brother I saw playing one in Miami that has the OB-1 and it sounded damn good with the stock pickups
 
I've never understood the issue of having a "low output" instrument...just turn up the gain on your preamp/amp.

If you like the Fender 5 strings style, but you are bother by the MM pickguard (BTW I'm with you with this) why not a standard Deluxe V? Looks like Fender has done a great job improving the new '08 series.

M

ps: BTW, I owned a '97 DLX V and a MM, so-so B string, chunky neck and too tight string spacing.
The American (Active ) deluxe V is a great bass ( if this is the one you're referring to )but it has more of a "modern" type tone going for it where as the MM5 kinda has a whole different thing going for it
 
Just got in from a gig down at Lucille's in Tempe.

I'm not really inclined to change anything on this instrument for a while. It has all the tones, feel, fit, and finish I've been looking for in a 5 string J.

Great, Great bass!
 
Fender only offering the seventies placement on one five string model is the kind of thing that drives people crazy with Fender. They know something is desired and classic, yet they won't make readily available. It should at least be an optionb for a special order (maybe it is already?):confused:
Oh they will do it, however you would have to go thru the Custom shop for them to do a special order like that,but you'll have to part with some major coin.
 
Is the MM5 front routed? What does it look like without the pickguard?
I believe it is a MUCH smaller front routing than the 4 in front. The battery access is from the back. The front routing is a little longer than the standard J and has a smallish extension where the active switch sits. The huge PG is definitely not needed. I have already cut a model control plate from aluminum that would allow me to get a more standard J guard, and look more J like. I've just been too lazy to finish it up. Plus, the black guard is kind of growing on me.....
 

Latest posts