If it were me , I would buy a Geddy Lee and have it refinished if just couldn't live with the black finish.
Here is another vote for this.
You get the bass you want in the color you desire.
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If it were me , I would buy a Geddy Lee and have it refinished if just couldn't live with the black finish.
Huh... it is quite nice, but it's a bit steep, I think - at least for me. Seeing as how there's a few real 70's jazz basses floating around on Reverb for just a couple hundred more, that'd probably be the route I went, if I wanted to spend that much atm.
Huh... it is quite nice, but it's a bit steep, I think - at least for me. Seeing as how there's a few real 70's jazz basses floating around on Reverb for just a couple hundred more, that'd probably be the route I went, if I wanted to spend that much atm.
I sold the CIJ in 2017 and bought a USA Geddy Lee. That bass was incredible. It had a meatier neck than the CIJ, and the pickups were my favourite jazz pickups to date. But I couldn't get passed the missing black block inlays and neck binding. I tried to find one of the crimson red ones so I could swap the neck. That didn't happen, so I changed the pickup covers and pickguard to make it more my own.
I like the black blocks. However I find the pearl blocks more pleasing to my eye .I don't know why they did this. I just don't get a maple neck with non-black blocks. Yuck.
I agree. The US Geddy is the best Jazz bass I've ever played too.I thought I would throw my two cents into this conversation. Hopefully it's relevant and helpful.
I owned a 2003 CIJ Geddy Lee for about 15 years. It was my second bass.
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At the time I had nothing else to compare it to, but I loved the neck and became a Jazz fan because of it. Around 2015 I put Dimarzio pickups in it because I wanted a little more beef. Soon after that, I bought a second bass. That started me on a four year spree of trying different basses.
I sold the CIJ in 2017 and bought a USA Geddy Lee. That bass was incredible. It had a meatier neck than the CIJ, and the pickups were my favourite jazz pickups to date. But I couldn't get passed the missing black block inlays and neck binding. I tried to find one of the crimson red ones so I could swap the neck. That didn't happen, so I changed the pickup covers and pickguard to make it more my own.
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However I was in a bit of a bass buy and sell frenzy, and last year I sold the USA Geddy, thinking I didn't need a jazz anymore since I had found the L-2500. After a while, I started to settle down my mania and decided to narrow down my selection to four basses. One of them had to be a Jazz.
I decided that even though I am a total Rush nerd, I didn't have to have a Geddy Jazz, but I wanted a 70's Jazz. After looking at the prices of used 70's Jazz basses, and realizing I didn't want to take a chance on one via online sales, I decided on a MIJ '75 reissue.
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I knew before I bought it that I would put the tort pickguard on it. But after playing it, I was longing for the beef of the USA Geddy and decided to try Norstrand pickups in it. I did a before and after recording and found that the Norstrands were only slightly tighter in the bass (besides being hum cancelling) than the stock USA pickups.
The '75 is a wonderful instrument. The neck is thinner than the USA, but feels slightly thicker than the CIJ. Either way, it's a wonderful neck. The build quality is better than the regular USA Fenders I've tried. And the pickups are really nice (I only thought they were lacking because of my memories of the USA GL).
Having said all that, if I was starting again and was choosing any jazz bass, I would buy a USA Geddy Lee again. Hands down, it's the best feeling and sounding Jazz I've ever tried. However, I do not feel that I am wanting for anything with the MIJ '75 reissue. And I love the Lake Placid Blue with rosewood, blocks and binding.
Sometimes I watch the local used instrument ads to see if my old CIJ Geddy bass is back on the market, but I wouldn't buy it if it showed up. I might go try to track down that seller of the Crimson USA though. ;-)
I have to second this motion ... I've had a MIJ GL since 2003 . In 2005 I replaced the pups with Active EMG's and never looked back . I live in Florida and the neck is a constant fight . It won't hold from standard to a half step down without a tweek ( low action ) All my passives are now G&L and always will be .I used to have a MIJ Geddy Lee J Bass. I kept it for about 2 weeks. It had the most little thin neck I've ever played. I swear, it seemed like it was about half an inch thick at fret #1.
Also, it could barely handle string tension and the truss rod nut was maxed out.
It was the worst feeling bass neck I have experienced.
Now, that was my mileage and YMMV or someone else mileage may vary.
Also to note, the pickups used on the MIJ Geddy are Fender Original Jazz Bass pickups which use AlNiCo #2 magnets instead of the #5 magnets. The #2 magnets are softer and milder than the AlNiCo 5s which is what is used on just about 100% of Fender J Basses.
Other than the neck and pickups...........it's a great bass! ()
Beauty is in the eye of the beholder .
THOSE ARE BEAUTIFUL!I've never played nor held a Geddy Lee bass of any place of national origin. With that being said, I do own 2 JB75-94US basses. I liked the first one which I acquired, so much that I pulled the trigger on another when a good deal presented itself. (Pic below)
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I thought I would throw my two cents into this conversation. Hopefully it's relevant and helpful.
I owned a 2003 CIJ Geddy Lee for about 15 years. It was my second bass.
The '75 is a wonderful instrument. The neck is thinner than the USA, but feels slightly thicker than the CIJ. Either way, it's a wonderful neck. The build quality is better than the regular USA Fenders I've tried. And the pickups are really nice (I only thought they were lacking because of my memories of the USA GL).
Glad it was helpful.And this right here is what I was looking for. A real side by side of the two. BTW that JB is BEAUTIFUL.
OK... I'm not currently seeing a MIJ GL in any kind of condition that I want to buy vs cost... I do have my eye on a couple of '00s JB-75s, so that's looking the direction I'm gonna go as of now... but I assume there's a GL in my future too, at some point. Maybe I'll retire the Aerodyne.
So the 00's have the US Fender pups... to this day, I haven't been stoked about any fender factory pups, but it's possible I haven't come across good ones. I'm considering a swap with the Aguilar Vintage 70s... any thoughts?
Also I've scanned the million threads already, but do you all think a swap with a Omega/Kickass/Badass is a necessity (or at the least, a recommendation)? I don't have any experience with them yet.
OP and I are in a similar position I think. My next bass will be MIJ and I'm basically torn between the GL and the JB75. GL fits the aesthetic I'm going for a little better, but it sounds like the JB75 has a better/more stable neck? I think for me it's going to come down to price, as the JB75 seems to be a little pricier.
I think the prevailing opinion is that high mass bridges are good for looking cool and adding weight to your bass. There are threads on here dedicated to people who upgraded to a BA type bridge and ended up putting the old one back on, if that's any indication. If I get a GL that bridge is coming off with the pickguard right away.
One of these it looks like the guy just filled in with a sharpie or random black paint.