Black pickguard arrived from Decoboom this weekend. Really like the contrast compared with body color and maple fretboard. Still waiting on my hipshot ultralites and bridge to arrive. (Also in black)
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~Black pickguard arrived from Decoboom this weekend. Really like the contrast compared with body color and maple fretboard. Still waiting on my hipshot ultralites and bridge to arrive. (Also in black)
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I likely would not necessarily have considered black, but yes, that combo looks decent, as it also does on DAVEYC's recent new bass Fender Mustang Club.
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Black looks good on alla them!Haha.. I guess I'm starting to see a pattern here when I look at the wall and notice my pickguard decisions!
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Here's my customized American Performer Mustang. I bought it back in the spring, and just finished customizing it. The customizations include a walnut nitro finish, a Spitfire pickguard (Vintage Burgundy/Bright Red mix), Hipshot lollipop tuners, a bone nut, and mother of pearl dots. (It was originally sunburst poly with a white pearloid guard.)
I actually was able to remove the stock white plastic dots and insert the mother of pearl dots myself. It's a bit nerve-wracking, but not as difficult as you might imagine. The dots don't really show up in these low-light indoor photos, but they look good in person.
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Well, the Squire CV60's Mustang has the original style small pickups and sounds great (IMO!) -Also coasts less than the straight Fender Mustangs...I've had GAS for a Mustang lately and you just made it 10X worse, haha! What a beautiful bass you have there!
My major decision right now is, do I go with a regular Mustang, or the PJ? I love my P bass and it's tone, so just not sure what to do. I feel like from a practical perspective, the PJ would be a good fit. But I like the tone out of the standard Mustang pickup, from what I've heard online.
I've had GAS for a Mustang lately and you just made it 10X worse, haha! What a beautiful bass you have there!
My major decision right now is, do I go with a regular Mustang, or the PJ? I love my P bass and it's tone, so just not sure what to do. I feel like from a practical perspective, the PJ would be a good fit. But I like the tone out of the standard Mustang pickup, from what I've heard online.
A# on the 13th fret will only produce a tinny bizz unless I press down on the string there with a great deal of strength. This is the only fret position that does this and I have no idea what causes it or how to fix it... Perhaps a trip to the luthier is needed? -Anyone else have anything similar to this?~Some new tuning problems with my Squire CV60's Mustang:
Problem#1: I tried switching from my LaBella MUS strings to medium length D'addario Chrome flats, but then got some strong buzzing from the A string. I tried everything but couldn't find what was causing it or get rid of it, and finally went back to the LaBella MUS strings. I think the problem is that the medium Chromes' wrap by the ball end was too short which makes the metal part of the string contact the bridge where it bends out of the input hole, thus setting up an annoying harmonic vibration... Anyway, after I reinstalled the MUS strings with their longer ball area wrap the buzzing disappeared...!!
Problem#2: I now appear to have a 'dead' fret position!A# on the 13th fret will only produce a tinny bizz unless I press down on the string there with a great deal of strength. This is the only fret position that does this and I have no idea what causes it or how to fix it... Perhaps a trip to the luthier is needed? -Anyone else have anything similar to this?
Thanks,
Greywoulf
Ahhhh, shSome new tuning problems with my Squire CV60's Mustang:
Problem#1: I tried switching from my LaBella MUS strings to medium length D'addario Chrome flats, but then got some strong buzzing from the A string. I tried everything but couldn't find what was causing it or get rid of it, and finally went back to the LaBella MUS strings. I think the problem is that the medium Chromes' wrap by the ball end was too short which makes the metal part of the string contact the bridge where it bends out of the input hole, thus setting up an annoying harmonic vibration... Anyway, after I reinstalled the MUS strings with their longer ball area wrap the buzzing disappeared...!!
Problem#2: I now appear to have a 'dead' fret position!A# on the 13th fret will only produce a tinny bizz unless I press down on the string there with a great deal of strength. This is the only fret position that does this and I have no idea what causes it or how to fix it... Perhaps a trip to the luthier is needed? -Anyone else have anything similar to this?
Thanks,
Greywoulf
!! I know at my age I'm no longer as ~sharp~ as I usta be, but geeeze my head must've gone on a vacation somewhere when I wrote that stuff above! 
Ahhhh, sh!! I know at my age I'm no longer as ~sharp~ as I usta be, but geeeze my head must've gone on a vacation somewhere when I wrote that stuff above!
-A careful re-setup by me, raising and backing up the saddles, now gives me perfection intonation on all the Squier's frets using the LaBella MUS strings!
Now that sanity has returned I'll hafta try re-installing the Chrome flats again....
I dunno, sometimes it doesn't pay to get out of bed in the morning, y'know?![]()
Is that a TC Bam200 head powering that big Hartke 15? I use one of those neat little Bam200's into a TC 2x8 cab; -love the sound!Played with my Pawn Shop Mustang last weekend, and just remembered how massive this little guy could sound...
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Is that a TC Bam200 head powering that big Hartke 15? I use one of those neat little Bam200's into a TC 2x8 cab; -love the sound!