Good evening Rumble Club... I have come to pick your brains!
Forgive me for assuming a "presumptive" Rumble Club membership... but I am soooo close to pulling the trigger, I can almost taste it! (I'm sure all of you remember the feeling.) Regardless, I've been thinking and thinking about how I want to pose this question... and believe me, I have been trying to do my due diligence by going back and reading and researching as much as I can (so far I'm up to somewhere around winter of '15,) so that I'm not posing the same question here that's been posed a hundred times before. Still, I fear there will be some unavoidable necro-equi-flagellism to my query, so please be kind and bear with me.
(By the way, if you haven't guessed already... I'm wordy! So if you're bored already, feel free to move on!)
So I've decided I want to play a little thought experiment. Suppose you have a cat, and his name is Schrodinger...
..wait... no... okay never mind that. Suppose you are just a beginner at the bass, having been a guitarist and/or a drummer for most of your adult life... but now you've acquired a bass and a little practice amp and you're discovering that not only do you enjoy playing at the "bottom end" of the sound stage, but that you just may be better at it than you ever were on the six string upper registers. Let's also suppose that you don't play live... you've never gigged out nor do you ever have any intention to. You just enjoy playing and creating for your own amusement in your own little makeshift home studio with your drums and your guitars and your amps and your digital piano and.. oh yes... your new (to you) Dean bass and that little Eden EC-10 combo that you picked up for a sweet $45. (It was... is.. virtually brand new, so I couldn't resist!)
And just for the sake of knowing what kind of bass sounds you like from your favorite players and bands... think along the lines of Steve Harris, Reginald Arvizu (Fieldy), Cliff Williams, Michael Anthony, Geddy Lee, John Paul Jones, Sting (w/ The Police), Chris Squire, just to name a few. Some of your most favorite 'band' tones lean towards all those "clanky" sounds that come out of the likes of Iron Maiden, Testament, Exodus, Korn, Megadeth, etc.; as well as Aerosmith, AC/DC, 'Priest, Evanescence, Alter Bridge, Chevelle, Lamb of God... the list could go round and round and round and round...
Now... all that being said... that was just for atmosphere. That's to put you in the questioner's mindset... so to speak. But here's the real hardware question! (Finally!.. I know, right?) Suppose you had an Epiphone Thunderbird Classic IV PRO (in Alpine White, just in case that matters) with those amazing Gibson ceramic pickups.... and suppose you had a Rumble 200 Head (v3 of course) because, well, like I said... just a private amusement player in his own studio who still want's lots of headroom, but probably doesn't need enough to fill a large ballroom. So... knowing what you know.... you people who have tried all these combinations for the last 3 years or so.... what would you put underneath that head?
a) 2x Rumble 210's
b) 2x Rumble 112's
c) 1x 210 up top and 1x 112 on the bottom.
bdplaid, you have already weighed in on this with me in a pm (thank you good sir)... but if you have any further comments to make based on all the blah blah blah... feel free to expand upon your previous thoughts here in public. I look forward to hearing anyone's and everyone's recommendations as well. And if you read this far... jeezzus you ought to get some sort of medal or brownie points or something!
Thanks! LJ