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Fender Rumble Club

Fairmont West graduate here too. Class of '76, well '77 actually, but we won't get into that. Saw a lot of great shows at Hara Arena for $5 during the 70's. I'm still here. but the $5 shows are not.
Yup. I saw George Benson at Gillys on N Main for $2.50 and a 1 drink min. Saw Chet Baker there too, same price. That little hole-in the wall had some monsters gig through there. Saw a few things at Haras. I was Dayton Gem hocky fan but i do rember seeing Chicago and the Stones there.
 
Yup. I saw George Benson at Gillys on N Main for $2.50 and a 1 drink min. Saw Chet Baker there too, same price. That little hole-in the wall had some monsters gig through there. Saw a few things at Haras. I was Dayton Gem hocky fan but i do rember seeing Chicago and the Stones there.
Spent many evenings at Gilly's. They remodeled it in the 90's and it was a great place to see live music. Saw BB King, Buddy Guy, Koko Taylor, Robert Cray, Lonnie Mack, Anson Funderburgh, Ronnie Earl there, to name a few. Unfortunately, I missed Stevie Ray and Bobby Blue Bland when they came there. They closed last year after some SOB robbed 80 yr old Jerry Gillotti after hours and put him in the hospital. Sadly, I'm thinking that the days of getting to see these types of shows in this town are all but over.
 
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Spent many evenings at Gilly's. They remodeled it in the 90's and it was a great place to see live music. Saw BB King, Buddy Guy, Koko Taylor, Robert Cray, Lonnie Mack, Anson Funderburgh, Ronnie Earl there, to name a few. Unfortunately, I missed Stevie Ray and Bobby Blue Bland when they came there. They closed last year after some SOB robbed 80 yr old Jerry Gillotti after hours and put him in the hospital. Sadly, I'm thinking that the days of getting to see these types of shows in this town are all but over.
Man that is real sad to hear. Wow, ? I would not have thought that Jilly's could handle the size of some of the groups you are talking about. To acts we use to drive down to the living room in Cincinnati where we could see guys like Wes Montgomery. Where did you buy your instruments at hollers in Kettering or the Dayton Institute of music?
 
Man that is real sad to hear. Wow, ? I would not have thought that Jilly's could handle the size of some of the groups you are talking about. To acts we use to drive down to the living room in Cincinnati where we could see guys like Wes Montgomery. Where did you buy your instruments at hollers in Kettering or the Dayton Institute of music?
Not sure where Gilly's was when you used to go, but it was downtown, next to the Greyhound station when I went. Something makes me think it moved from somewhere else. I would say that it could hold 300-400 people, maybe more. I mostly bought used out of the Tradin' Post, but Hauer Music always had good stuff. There was a store in Belmont that I loved the name of...Drumville Guitarland. I bought my first acoustic there. A Hondo II, I believe. My first nice guitar was an Ovation that I bought from Moeller Music at the Dayton Mall. Still have it and the receipt, somewhere.
 
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Not sure where Gilly's was when you used to go, but it was downtown, next to the Greyhound station when I went. Something makes me think it moved from somewhere else. I would say that it could hold 300-400 people, maybe more. I mostly bought used out of the Tradin' Post, but Hauer Music always had good stuff. There was a store in Belmont that I loved the name of...Drumville Guitarland. I bought my first acoustic there. A Hondo II, I believe. My first nice guitar was an Ovation that I bought from Moeller Music at the Dayton Mall. Still have it and the receipt, somewhere.
When I went to Gilly's it was on N. Main st. Just across the bridge on the right as you traveled north. I cant imagine that place seating more that 60 - 70 people. I think it was just before you got to Sutmillers. I always got my stuff from the Dayton Institute of Music I think of E. Fourth Street. It was small and looked like an old Pawn Shop. But it had a fancy name!
 
When I went to Gilly's it was on N. Main st. Just across the bridge on the right as you traveled north. I cant imagine that place seating more that 60 - 70 people. I think it was just before you got to Sutmillers. I always got my stuff from the Dayton Institute of Music I think of E. Fourth Street. It was small and looked like an old Pawn Shop. But it had a fancy name!
Yep, they moved. New place was much bigger and nicer. The service always sucked, but I was there for the music and it didn't matter. I worked right across the street from Sutmiller's for 10 years selling cars at Walker Olds. A real wake up call for a suburban boy from Kettering working on N Main St. I didn't know people lived like that. Meanwhile back at the ranch... what Rumble do you have? I've got a 500C with a 210 cab.
 
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Yep, they moved. New place was much bigger and nicer. The service always sucked, but I was there for the music and it didn't matter. I worked right across the street from Sutmiller's for 10 years selling cars at Walker Olds. A real wake up call for a suburban boy from Kettering working on N Main St. I didn't know people lived like that. Meanwhile back at the ranch... what Rumble do you have? I've got a 500C with a 210 cab.
Bought a 65 Vett from Dick Rue right up the street. I have a v3 100, v3 500 head with a 210 cab and right now waiting for delivery on a 410 cab. I think I have all may basses (pun) covered.
 
I wish I had been that smart. I shoulda got a 410 and 210 instead of two 410s.
Kinda dumb luck on that. Someone commented that I will have 3 options, one with just the 410, another with Just the 210 and last just hookem together and get ordered out of the house. I'll have to go live in my kennel building. sigh..I guess I could wall paper it and get satellite.:bassist::smug:
 
20181108_163929.jpg Well my 410 just arrived.
This where I live.
And this is where my future home is if I hook the 210 and 410 together when my wife is home.

20181008_130328.jpg
 
Well, I am spreading the gospel of the Rumble amps. Show 2 weeks ago I had let a friend in another band use my rig for their show. He has been hitting me up left and right asking questions about the amp and cabs. I think he is finally ordering one.

And band seen my buddy and myself using my rig (Rumboe 500H and 2x 210v3 cabs) and has been trying to reach me through the guy that runs sound at the venue asking questions about the amp.

I have 2 shows tomorrow, the Linkonville Porchfest in downtown St. Augustine at the Dog Ear Brewery porch and then later that night at Sarbez opening for a touring band. I'm sure I'll get more questions.
 
Well, I am spreading the gospel of the Rumble amps. Show 2 weeks ago I had let a friend in another band use my rig for their show. He has been hitting me up left and right asking questions about the amp and cabs. I think he is finally ordering one.

And band seen my buddy and myself using my rig (Rumboe 500H and 2x 210v3 cabs) and has been trying to reach me through the guy that runs sound at the venue asking questions about the amp.

I have 2 shows tomorrow, the Linkonville Porchfest in downtown St. Augustine at the Dog Ear Brewery porch and then later that night at Sarbez opening for a touring band. I'm sure I'll get more questions.

Time to become a dealer ;)!
 
Hello guys, a question for Rumble 40 studio + mgt4 footswitch.
Suppose to have a preset, for example a delay.
In wich way I can eliminate delay and have amp without delay?
I've some parts of song with delay and some without...
I've to build up two difefrent preset and switch from one to other?

I am not familiar with the mgt4 foot switch but my Rumble 40 (ver. 3) will only take a simple on/off switch and I chose the economy FS and there is no delay at all. But there is a unique quirk that occurs. If the foot switch is plugged while the F/X is on the indicator light becomes reversed. On is off and off becomes on. Power cycling the amp resolves this. I learned all this because a sales rep talked me into a 3 way effects pedal that became an on/off switch. Hope this helps.
Bob
 
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Hello guys, a question for Rumble 40 studio + mgt4 footswitch.
Suppose to have a preset, for example a delay.
In wich way I can eliminate delay and have amp without delay?
I've some parts of song with delay and some without...
I've to build up two difefrent preset and switch from one to other?

If you switch to the Fx session.... I think it is the 3 one down then you can shut any effect that are on to off.

I'm tot sure to have understood well...
Sorry for my english, could You explain me better?
Thanks a lot!

I am not familiar with the mgt4 foot switch but my Rumble 40 (ver. 3) will only take a simple on/off switch and I chose the economy FS and there is no delay at all. But there is a unique quirk that occurs. If the foot switch is plugged while the F/X is on the indicator light becomes reversed. On is off and off becomes on. Power cycling the amp resolves this. I learned all this because a sales rep talked me into a 3 way effects pedal that became an on/off switch. Hope this helps.
Bob

The optional MGT-4 footswitch for the Rumble Studio 40, which is included with the Rumble Stage 800, is for preset/FX switching and looper functions, and should not be confused with the overdrive on/off footswitch for use on other V3 Rumbles.

@alfiofer, the Rumble Stage & Studio manual explains "Editing Effects" beginning on page 18. Try reading that and the following sections to find the answer to your question.

I'm not sure, because I don't have the Stage or Studio amp, but I would expect that you need to save the setting with, and without, the effect you want to turn on & off in a song. Then, just switch between those two settings when playing the song, like in your example.

Good luck! :thumbsup:
 
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Ok so I know this is a bass players group, but I trust everyone’s opinions here and I need some advice. My country band is looking to broaden its sound. We’re going to put a rockabilly/southern rock set after our acoustic country set. We’re looking for a lead player, and getting a drum kit for our cajon/singer. Being the bands manager I guess I’m responsible in the budget so I’ve been looking at some gear and I’ve decided on this; (lead player we’re looking at has a Gretsch already so no need for guitar) a fender champ reissue, a Gretsch Catalina club kit and sabian B8x cymbals and hot rods or brushes for the sticks. My bass gear is perfect right now for what we’re doing, if anything it’s a little too much for our venues and I don’t plug into the pa. We have pa’s for everywhere’s we’re playing so amp size doesn’t matter but I was wondering if anyone sees any problems with the new gear that we’re going to get. I’m not too experienced with the rockabilly sound but I think a gretsch and a champ should do it quite fine and make some good country lead tones
 
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