Ah, but which weekend?In other (on-topic) news, I got the email today saying GC shipped my Rumble 100! It's going from TN to IN, so I'm keeping fingers crossed I see it before the weekend![]()
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Ah, but which weekend?In other (on-topic) news, I got the email today saying GC shipped my Rumble 100! It's going from TN to IN, so I'm keeping fingers crossed I see it before the weekend![]()
Ah, but which weekend?![]()
My folks used to say they'd do(whatever)"after the Holidays", never specifying which Holiday.By not specifying, he's sure to be correct!
I’m looking to upgrade and the idea of that added flexibility/power seems just awesome. Not to mention the cool factor of standing by a stack! Lol
Well, OK, but yer prolly better off standing in front of a stack.Hello all!
I’m pretty new to the whole TalkBass world, I think I commented in this forum before but can’t remember. I currently own a Rumble 100, I use it for practice and as a stage monitor for gigs. I also run a Fender Downtown Express (HIGHLY recommend this piece of gear if you haven’t tried it.
Anyways, does anyone have experience with the 500 combo paired with the 2x10 extension cab? I’m looking to upgrade and the idea of that added flexibility/power seems just awesome. Not to mention the cool factor of standing by a stack! Lol

Well, OK, but yer prolly better off standing in front of a stack.![]()
Haha good point! Might have to move out the way once in a while to show it off though!

Hello all!
I’m pretty new to the whole TalkBass world, I think I commented in this forum before but can’t remember. I currently own a Rumble 100, I use it for practice and as a stage monitor for gigs. I also run a Fender Downtown Express (HIGHLY recommend this piece of gear if you haven’t tried it.
Anyways, does anyone have experience with the 500 combo paired with the 2x10 extension cab? I’m looking to upgrade and the idea of that added flexibility/power seems just awesome. Not to mention the cool factor of standing by a stack! Lol
Anyways, does anyone have experience with the 500 combo paired with the 2x10 extension cab? I’m looking to upgrade and the idea of that added flexibility/power seems just awesome. Not to mention the cool factor of standing by a stack! Lol
Nice setup! What bass is that?This is the exact same rig, I've just upgraded to. The 500c on it's own is very capable and awesome. Paired with the 210 cab, it's double the awesomeness. Enough for the largest of gigs. If you need more than this, you can DI out to the FOH.
This setup goes plenty loud and low, with a wide tonal palette. If you lean towards vintage tones, like I do, you'll be right at home. And right-on, a stack looks awesome.
Of course, the obligatory pic, or it didn't happen (as per TalkBass rules)....
View attachment 4728705
I have been using the 500 Head and 210 cab since 2015/2016? And been great. I added a second 210cab to the mix and really never needed it live. Sometimes when I’m feeling frisky I’ll take both cabs for the cool factor. It does add a hugeness to the sound and the amp seems to work less.Hello all!
I’m pretty new to the whole TalkBass world, I think I commented in this forum before but can’t remember. I currently own a Rumble 100, I use it for practice and as a stage monitor for gigs. I also run a Fender Downtown Express (HIGHLY recommend this piece of gear if you haven’t tried it.
Anyways, does anyone have experience with the 500 combo paired with the 2x10 extension cab? I’m looking to upgrade and the idea of that added flexibility/power seems just awesome. Not to mention the cool factor of standing by a stack! Lol
I'm pretty much in the same situation. 12" or 15" (combo) gets me my tone. I've owned all Rumbles from 200 down to 15 Watts. The 40 was good, and light, but I'm using the 100 now. I don't play massive venues. The 100 is almost too much for the auditorium we play in. I'm in the PA but the band (not loud) still needs to hear me from my amp on stage. Our stage monitors are ok but I don't like the tone of the bass (any bass/any amp) through them.I started with a 200c(I'm not a big fan of 10s). For really small gigs I was using a 2000 Bassman25(yes, I know, it has a 10") 'til it crapped out on a gig. I got it working again by unplugging/replugging it, but I didn't completely trust it so I bought a R40(yes, 10"/18#). The B25 was repaired-still works great-and is used for concert band where I play the string bass parts(I don't play UB). The 200c(15"/34.5#) is overkill for many of the gigs we do, so I added a 100(12"-yay!/22#)to the bunch and it's my go-to these days.
7ender for amps, Gibson for basses.
The R100 is all I need for almost everything we do, including an 'open-air(roofed)' venue. Most of our audience is 60y/o+; they-and management-don't need, or want, LOUD. IIRC, I've never had GAIN or VOLUME above NOON. Usually both ~10.(Tones the usual 10/2/2/10, NO o/d.)I'm pretty much in the same situation. 12" or 15" (combo) gets me my tone. I've owned all Rumbles from 200 down to 15 Watts. The 40 was good, and light, but I'm using the 100 now. I don't play massive venues. The 100 is almost too much for the auditorium we play in. I'm in the PA but the band (not loud) still needs to hear me from my amp on stage. Our stage monitors are ok but I don't like the tone of the bass (any bass/any amp) through them.
Rumbles give me 'my' sound. Not for everyone, I know. I should have saved my money instead of ever getting the 15 Watt/8" model. Sounds awful; don't even practice with it. Now, since the retail price dropped again, you can't give them away.
Hello all!
I’m pretty new to the whole TalkBass world, I think I commented in this forum before but can’t remember. I currently own a Rumble 100, I use it for practice and as a stage monitor for gigs. I also run a Fender Downtown Express (HIGHLY recommend this piece of gear if you haven’t tried it.
Anyways, does anyone have experience with the 500 combo paired with the 2x10 extension cab? I’m looking to upgrade and the idea of that added flexibility/power seems just awesome. Not to mention the cool factor of standing by a stack! Lol
On this, your first posting here, @Buck_BassMan94, you are now member #1502 in the Fender Rumble Club. Congratulations and welcome. Put that number in your TalkBass Signature for safe keeping. Then make yourself at home here and on your Rumble Club Wiki page, the repository of all Rumbling wisdom and knowledge.
Please tell us a bit about yourself, such as your bass experience in general and your Rumble journey in particular. Of course, pictures are encouraged, though not required. Whatever your situation, you're bound to fit right in here 'cause we have all kinds. But we all love to ... ... ...
Rumble On!
.
On this, your first posting here, @Buck_BassMan94, you are now member #1502 in the Fender Rumble Club. Congratulations and welcome. Put that number in your TalkBass Signature for safe keeping. Then make yourself at home here and on your Rumble Club Wiki page, the repository of all Rumbling wisdom and knowledge.
Please tell us a bit about yourself, such as your bass experience in general and your Rumble journey in particular. Of course, pictures are encouraged, though not required. Whatever your situation, you're bound to fit right in here 'cause we have all kinds. But we all love to ... ... ...
Rumble On!
.
On this, your first posting here, @Buck_BassMan94, you are now member #1502 in the Fender Rumble Club. Congratulations and welcome. Put that number in your TalkBass Signature for safe keeping. Then make yourself at home here and on Invalid Link Removed, the repository of all Rumbling wisdom and knowledge.
Please tell us a bit about yourself, such as your bass experience in general and your Rumble journey in particular. Of course, pictures are encouraged, though not required. Whatever your situation, you're bound to fit right in here 'cause we have all kinds. But we all love to ... ... ...
Rumble On!
.
Very similar setup for me. What about Vintage or Contour? For me, Vintage on, Contour off. Depending on venue, tones are usually 12 across the board. But then, remember, there is the Rumble Tone pool.The R100 is all I need for almost everything we do, including an 'open-air(roofed)' venue. Most of our audience is 60y/o+; they-and management-don't need, or want, LOUD. IIRC, I've never had GAIN or VOLUME above NOON. Usually both ~10.(Tones the usual 10/2/2/10, NO o/d.)
Oh. Yeah. Vintage always ON, BRIGHT(as "PRESENCE")in a boomy room.Very similar setup for me. What about Vintage or Contour? For me, Vintage on, Contour off. Depending on venue, tones are usually 12 across the board. But then, remember, there is the Rumble Tone pool.
. Whew!Nice setup! What bass is that?