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Fender Rumble Club

I am one that believes the 15/210 setup is a better option. My reasoning is that the 410 will suck up most of the power, and leave the 15 whimpering. Just my 2 cents.

Electrically, it doesn't work that way. Because both the 115 cabinet and the 410 cabinet are wired as 8-Ohm loads, the amplifier's power will be split evenly across them.
 
Electrically, it doesn't work that way. Because both the 115 cabinet and the 410 cabinet are wired as 8-Ohm loads, the amplifier's power will be split evenly across them.
Not to get into an argument, but that is my point. The (4) 10" speakers will drown out the single 15, whereas a cab with (2) 10" speakers will play much nicer with the single 15. Again JMHO
 
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I have a baby Rumble 25. It's great for what it is, but I want a bigger one. I'm a P Bass flatwound old rock and thrash guy, so an 8" speaker just can't handle what I throw at it. Maybe a 100w, something to play small venues, but easily to haul. Would a 100w fit the bill?
 
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I have a baby Rumble 25. It's great for what it is, but I want a bigger one. I'm a P Bass flatwound old rock and thrash guy, so an 8" speaker just can't handle what I throw at it. Maybe a 100w, something to play small venues, but easily to haul. Would a 100w fit the bill?
I always recommend the Rumble 200 combo for jams and bar work.
 
+1 Agree with the sonic advantage of stacked identical drivers. The Rumble 112's only advantage is it's smaller size & footprint along with lighter weight: 31 lbs. vs 39 lbs. I run a mini-stack of V2 Rumble 112's for that very reason.
What I don't understand, though, is WHY the 115 cab is wider. If a 15" fits in the 200 combo, surely it would fit in a cab with the same width?
 
hi, i'm new here. got a rumble 100 v3 for a year now and found out that it is just a little too weak for little "louder" jams or rehearsals. just mud and not enough bottom end. so now i got myself a used rumble 500 combo and compared them side by side at home.

then i found out that my open E string sounds way bigger and warmer with my 100 than with the 500. tried in different rooms and different positions (edge of the room, tilted back...) so that should not be the problem. Open A string and everything above got about the same beef as the 100

Can it be that this is because of the dampened inner back of the 500? Or is it the 10s not being able to really handle a low E? How about the low B? Did anyone of you have similar problems? I know that this effect might disappear at louder volumes in rehearsal or stage situation. But i love a deep tone and usually even dial out some of the low mids to emphasize those the sub bass a little. Cranking the bass Up is no option here, because it operates at 80hz, which also emphasizes the A and even the D.

Maybe i'm better off with two linked 100s? Don't know...

I experienced the same thing. I first bought a Rumble 100 and loved it...best amp in its class bar none. So I figured why not go for the big guy for larger stages? My Rumble 500 combo wasn't much different in the practice room. I quickly returned it. Still, I wanted more power and air so I picked up a Rumble 200 and it has been great. Now my 500 experience is NOT consistent with the experiences of others so I chalked it up to maybe getting a bum Rumble. That is why I bought it from a place with a fair return policy.
 
Seems reasonable enough to me. But it also begs the question why they would stick a 12" in a cab clearly meant for use with the 15" 200, but maybe they didn't want to confuse people with multiple sizes of 15" cabs :)

Right...and yes there will be those who argue all day about matching speaker sizes but just maybe they were able to tune the 12" to fit with the 15" combo no problem?
 
I have a baby Rumble 25. It's great for what it is, but I want a bigger one. I'm a P Bass flatwound old rock and thrash guy, so an 8" speaker just can't handle what I throw at it. Maybe a 100w, something to play small venues, but easily to haul. Would a 100w fit the bill?
To you,what is a small venue? I asked because a friend invited me to a ''small venue''and when I got there,well.....wished I had brought the 200c instead of the r40.
 
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Right...and yes there will be those who argue all day about matching speaker sizes but just maybe they were able to tune the 12" to fit with the 15" combo no problem?
From what I hear, it would seem so. And apparently it works well with the 2x10 configuration of the 500 also. So maybe they figured that as long as it sounds good, nobody would mind the disparity in speaker sizes. Little did they know the members of Talkbass...:roflmao::roflmao:
 
If anyone desires to become an official member of the illustrious world famous Fender Rumble Club, just ask.
Wednesday I will be a proud owner of a Rumble V3 500 head and matching 115 & 410 cabs. Please add me, it's because I read 490+ pages of posts here on the Rumble Club, that I chose to buy this set up. I'm excited and can't wait to rock out on it. Add me please.
 
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Wednesday I will be a proud owner of a Rumble V3 500 head and matching 115 & 410 cabs. Please add me, it's because I read 490+ pages of posts here on the Rumble Club, that I chose to buy this set up. I'm excited and can't wait to rock out on it. Add me please.
Welcome to the Fender Rumble Club, @WaynerBass! :woot: You are member #606 :hyper: :laugh: Rumbles Rock! :smug:
 
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I always recommend the Rumble 200 combo for jams and bar work.
I'll keep that in mind. I've had the Rumble 25 for at home stuff, and a way to heavy, and not that awesome 70's Peavey Centurion Mark III head with an extension cab to play small gigs. They're not comparable at all. So practicing on the little Rumble doesn't really translate to the Peavey.
 
I'll keep that in mind. I've had the Rumble 25 for at home stuff, and a way to heavy, and not that awesome 70's Peavey Centurion Mark III head with an extension cab to play small gigs. They're not comparable at all. So practicing on the little Rumble doesn't really translate to the Peavey.
Yeah, I'd dump the Peavey for whatever you could get out it and pick up a Rumble 200.