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I helped to invent the telegraph.He didn't have any phone, period. Or a radio.
I helped to invent the telegraph.
I gave Washington my seat in the boat to cross the Delaware that night.
Please tell me you're not a live-aboard!
Back when I was young, I hitch-hiked from Elko, Nevada, to Balboa Island, California, with a sign that said only "BEACH". 973 mile by the route I took via Lake Tahoe, Santa Cruz, and Santa Barbara.
Actually I like the rumble 500 better.
For me the jury is still out on the 500 overdrive channel.
LennyJ
Washington would not have given up his seat, everyone knows he was really going to visit his girlfriend anyway.
Some tend to get better results with overdrive pedals but I really dig the overdrive channel on the Rumble 500. I use it almost exclusively, I turn it off for one song in my band's set, at least for the moment. Usually have it set at 10 o'clock for Drive and 9-10 o'clock for level. Depending on the bass of course.
If I could I'd swing by and scoop you up; I think we'd have a ball.
Clearly, I need to write a new History of the Fender Rumble. I've learned a lot more since writing this sketch a few years ago. Fender Rumble History
Tom Wheeler's 'Fender: The Soul of Tone' contains some excellent background on the creation of Fender Bass Amplification as a semi-autonomous unit inside FMIC. I'd love to do face-to-face interviews with Fender's Principal Engineer Dave Lewis, and former Sr. Product Manager of FBA - Jay Piccirillo. Jay works for Sweetwater now.
Tom Wheeler's 'Fender: The Soul of Tone' contains some excellent background on the creation of Fender Bass Amplification as a semi-autonomous unit inside FMIC. I'd love to do face-to-face interviews with Fender's Principal Engineer Dave Lewis, and former Sr. Product Manager of FBA - Jay Piccirillo. Jay works for Sweetwater now.
I also like the Drive at 9-10 o'clock, but I strive for unity gain and set the level so the volume is the same with the overdrive off as it is on. Which right now is just shy of 12 o'clock high and is something like 11:30 or 11:45. The V3 Rumble overdrive was deliberately redesigned to be as close to overdriven vacuum tubes as possible with solid state. I find the V2 Overdrive to be much more pedal like, almost like a Bass Big Muff Pi Deluxe. So for wild 70's fuzztone effects the V2 is King. The Blend feature makes it so usable and distinct.
I have to agree. The overdrive on the Rumble is the first bass overdrive I've ever liked
I'm planning a similar job on an old tube amp. Over the years the travel case got lost, so the previous custodian built a ply cover for it. Will paint it all in that black protective paint but tossing up on a cloth front or grille front & rear, thinking metal grill. Just need to work the logistics out.
(Also considering if I can get a birdcage for it.)
Anyway it will be a similar look I hope to what you are planning, except the chassis of my unit is at the bottom with the case above.
I'm headed that direction! But with Rumble 115 cabs. Fender even mentions the Rumble 115 in the manual that came with the Bassman 500.
Oh yes... it came yesterday!
I ordered the Bassman 500 (15% off!) on May 5 with Income Tax Refund money
It was supposed to arrive the 2nd week of June but Christmas comes in May, I guess.
So far I am very pleased with the power and versatility of this head. It is a tone monster. It can be very clean or very dirty and everywhere in between. The overdrive is sent from heaven on angels' wings. I don't use OD much, but with this creamy to gritty palette, I may be exploring more.
In a twist of irony, the amp head was made in Ensenada, BC, MX, 150 miles from my home but had to travel 1,700-odd miles to KC and then 1,700-odd miles back to California.
_______________
<rant>
At least the box looked unmolested, unlike most of the large boxes I've tried to get from GC's KC warehouse! The last one looked like it has been back and forth to Indonesia a dozen times, the tape all unstuck (I don't think the original packaging had any tape,) torn, gashed, and dented box, missing packing padding, loose parts rattling around inside, cabinet and metal corners dented and scratched. The sales droid asked, "So you don't want it?" Me: "Yes I want it but I ordered and paid for NEW merchandise, not old and busted crap."
I have asked GC personnel to write on the order: "New In Box only. No Open Box. No B-Stock. No Returns." Apparently this is an impossible request for GC. I have seen seriously battered boxes where someone has painstakingly refit the staples to look like factory sealed when it is glaringly obviously not. I am lucky because there is a GC just 6 miles from my home so I always have stuff shipped to there instead of my home. That way I can refuse shipment without ever having the merchandise leave the store. Even though I never sign off as receiving it, GC processes it like a return and with their horrible ancient software, it takes about 20 minutes to wade through the process. I have lost count of the number of items I have refused receipt because of obvious damage. I'm pretty confused by GC's casual treatment of product and customer. And by "confused" I mean "angry".
I'm naming names because GC needs to get their house in order.
</rant>
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Practice.
Really nothing more complicated than that.
You pick your battles.
You learn how to cheat like crazy.
You learn how much you can get away with.
Fuzzy selections are your friend!
edit: I forgot to add that you do NOT use MS Paint!
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