Fender Rumble can deliver all you ask and more. Part of your EQ problem is your Genz Benz head. I would suggest you try a Rumble 500 combo on top of a Rumble 115 cabinet.Am I asking too much?
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Fender Rumble can deliver all you ask and more. Part of your EQ problem is your Genz Benz head. I would suggest you try a Rumble 500 combo on top of a Rumble 115 cabinet.Am I asking too much?
Plus I can't think of many endorsements handing out vintage gearRight. Whenever you saw her playing with Jeff Beck she was playing a Sadowsky through an EBS stack. That's what happens when you are given equipment in return for your endorsement. The Fender she bought with her own money. Smart girl.
Maybe not, but this Fender American Vintage '63 Precision would sure come close.Plus I can't think of many endorsements handing out vintage gear![]()
Fender Rumble can deliver all you ask and more. Part of your EQ problem is your Genz Benz head. I would suggest you try a Rumble 500 combo on top of a Rumble 115 cabinet.
I think it's just part of your problem. A chain is only as strong as it's weakest link. Your bass may be another. Brand? Active?why do you think my EQ issue lies with the Genz Benz head?
I really don't think it sounded as good as even my 100 would have. My 200 would have been tons better! His 40 sounded great, but it was a little weak for a live gig with drums and two guitars even at a moderate level. It did the job, but not the full tone I like. The guitarist on the other side of the stage had trouble hearing him. I was right next to him. Bottom line, I don't believe the 40 is the best choice for a full live rock band.Was it enough power? I have a 40, which is plenty for my use. I assumed it would be a bit weak for a gig... Although maybe not (certainly 20W tube is plenty for a gig).
Also, what's the eric_B mod?
Fender Rumbles are friggin' loud.
Soundman told me to turn down.
I hadn't even plugged in the amp yet. Fender magic I guess.
I guess he saw the Fender Rumble and was scared by its reputation.

Take your lousy sounding cab to Guitar Center and trade it in on something you do like. Problem solved.the voicing of my cab is not to my liking for my current application, although I do know some other people that really do like it but don't have the money to buy it.
*Noted.Take your lousy sounding cab to Guitar Center and trade it in on something you do like. Problem solved.
Bad advice, GC asks you to bend over, and they are always out of lube (lemon oil is not a good idea, and they would probably take the price of that out of what little they would give for the cabs).Take your lousy sounding cab to Guitar Center and trade it in on something you do like. Problem solved.
It's quick and easy. No sales or shipping hassle. Just like trading in your old car for a new one.Bad advice
I wouldn't say i'm any more interested in one configuration over the other. If TB has taught me one thing, is that driver size does not have a tonal quality as general rule. I was initially looking at the GK NEO cabs. There I learned that the consensus is that the 15's are upper mid focused and lack bottom, the 10's are very bottom heavy and can get a bit boomy, and the 12's are the juuuuuussssttt right driver currently in that range, as they are very even across the whole frequency range. As of now that's the way i'm leaning for my next purchase. I'm trying to gleen that type of information on the Rumble series cabs, as they certainly look visually great, the price is very very competitive, and I they get a LOT of love around here. My current cab is a 2x12 and is definitely upper mid forward, and very articulate, but lacks booty. I really have to EQ the heck out of both the the head (Shuttle 6.0) and the basses to get a full/fat bottom end. This is the case with all basses with all different string types, and I would like to remedy that situation.
Ultimately, I need versatility and modularity. Need the cab to handle everything from pounding on a low Bb/B/C to jazzy chords on my 6 string in the high registers. I play pick, fingers, and slap all in the same set. I really like a generally modern tone, but with the sort vintage/warm/fat bottom. I got champagne taste on a beer budget, that's what grandma always said. Am I asking too much?
Also much money lost there too, car dealers ask you to bend over, and they have plenty of lube, but the wrong kind.It's quick and easy. No sales or shipping hassle. Just like trading in your old car for a new one.
Back when you and I were pups, Fender ran an ad on the back of Rolling Stone magazine. It had a picture of a bass player with a fender (j or p I don't recall). The caption was, "9 out 0f 10 bass players on Don Kirchner's Rock Concert play Fender basses they bought with their own money.Right. Whenever you saw her playing with Jeff Beck she was playing a Sadowsky through an EBS stack. That's what happens when you are given equipment in return for your endorsement. The Fender she bought with her own money. Smart girl.
That would depend on the gig. I've used my 25 on an acoustic gig.Was it enough power? I have a 40, which is plenty for my use. I assumed it would be a bit weak for a gig... Although maybe not (certainly 20W tube is plenty for a gig).
Also, what's the eric_B mod?
looking forward to assigning you a number. Just say when.Hey all. Considering joining the Rumble Club at least as far as a cabinet is concerned. Trying to gather information on the voicing and relative "loudness" of these drivers. I'd either be looking to do 2 x 112, 2 x 115 or 2 x 210, and really need it to handle down to a B and medium size gigs. Will be playing through a Genz Benze Shuttle 6.0. Thoughts?
For what you describe, 2x210 is probably your best bet. Though some are cool with 2x112. The 15 might be a bit boomy for some of that modern stuff. The 112 under a 210 is also an option to consider.