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Fender Rumble Club

Welp....I got my 210 cabinet yesterday and my first impressions were very underwhelming. The one I tried at my local store sounded great. The one I just got sounds narrow in my home. Granted, at home I usually run my 2x Hartke 210XL cabinets as a vertical stack. So having a single rumble 210 on the floor doesn't have the same oomf. I did put the rumble on the top of my 210XL so that the rumble would be at ear level. It did sound better like that. I don't know I just need to give it time.

Couple other thoughts.. perhaps the speakers need some break in time. And you might have to play around with your eq'ing more, vastly different voiced cabinets you're comparing.
 
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I have a Rumble 200. Could I have a number please.
 
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So after playing with the Rumble till nearly sun up here, really considering cancelling my GK MB 212 order, and getting the Rumble 500 instead...opinions?

I can't comment on the GK, but I can tell you that my bandmates are consistently blown away by my Rumble 500 Combo. They've frequently commented that my tone through the Rumble is the happiest they've been with a bass player.
 
View attachment 1041897 I have a Rumble 200. Could I have a number please.
Welcome to the Fender Rumble Club @FenderB! We're glad you're here. @Gravedigger Dav will be more than happy to issue you a crisp new membership number the very next time he rumbles through. Until then, pull up a bar stool and make yourself right at home. We're a comfortable club. Smoking permitted.
 
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Agree 100%. The Rumbles are warm & vintage voiced vs the cold; harsh, industrial Hartkes.
That's the thing. To my ears the Hartkes have more tone color (overtones) [probably because of the aluminum] than the rumble. That being said, I'm not playing in a very acoustically friendly room. It's my living room with 9' ceilings, hardwood floors and area rugs. I'm sure in REAL performance situations it would be vastly different to my ears.

Oddly enough, I think a second rumble 210 stacked would help. :)
 
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I just never liked those pie plate cones. Very original and looked cool when they first came out around 1985, but beyond that, very disappointing to my ears.
I may be crazy, but sometimes I think I can hear the aluminum cone in the Hartke, not to my liking. I get the same feel with the plastic in the Markbass, I swear I can hear the plastic in the cone.
 
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I thought I'd start here, although this may belong elsewhere, and if so, please let me know. I mean technically, I should join, but I'd prefer to do it with something a little nicer than a Rumble 25. This will do it for sure.

A little pre-qualification info...
Our cover band plays a mix of Blues, Rock, Country, and I even play some bluegrass, but typically play upright for that. I play a mix of 4 and 5 string basses and would like as good a B as possible.

The current MarkBass isn't cutting it in one of our venues against 3 guitar players, a keyboard, and drums. In playing a number of different amps/cabs/combos, I decided I really liked the tone of the Rumble series. I was playing through a Rumble 500 I think. Pretty sure... whatever it was... sounded great. In asking my favorite dude, he said that this is a pretty typical Rumble tone. So, I am thinking that I want a Bassman 800 head with some configuration of cabs.

What would you pick?


2 Rumble 410
1 Rumble 410 and 1 Rumble 115
2 Rumble 112
2 Rumble 115
Some other config I haven't thought of as yet
I am not ruling out 610 or 810 cabs, but they seem like they would require a small team of roadies to haul/move.

Also, does anyone feel the pro series is worth essentially twice as much?
Are Neo speakers the only advantage?


I plan to begin reading the 845 pages, but hope the Rumble fans here can provide some input. I am hoping to pull the trigger Monday if possible.

Thanks in advance for your thoughts.
I run a Rumble 500 cab through either a 410 and or a 115, depending on what and where I am playing. I would admit that sometimes I run them both at the same time and that the sound and volume are great, but next thing you know, the TB Mixed Driver Police will be at my door.
Both my cabs are pro series neos, I think they have a few additional features and perform a little better than Rumbles as you get past 7, but was it worth the cost. I got a deal at the time that took the edge of it, but that's a personal decision.
Might also depend upon where you play. Do you really want to take a $4,000 amp rig to a bar where your cab is a place to park 32oz beers.
 
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I may be crazy, but sometimes I think I can hear the aluminum cone in the Hartke, not to my liking. I get the same feel with the plastic in the Markbass, I swear I can hear the plastic in the cone.
Part of it is psychological for sure, but given a blind test I wonder how many would actually hear the difference? The plastic paint on the MarkBass cone is a stiffener just as is the aluminum on the Hartke. I want as natural (not flat) a response curve as a bass/amp/driver can give me. Some people want as synthetic a sound as can be had and use all manner pedals to achieve it. Bass; Amp, and Driver mean little or nothing. For them a synthesizer and sound system is best.
 
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Ok, while the House of Blues isn't Madison Square Garden, it's not a tiny venue. The Rumbles were run direct, but they more than held their own on the stage. This is the 500 combo with the two ten extension. I could hear them thumping loud and clear all night long behind me.

So after a few months of running these, I'll go ahead and say this is by far the best rig I've ever owned. Not too mention, load in and out is about as painless as it gets. If they have any limitations associated with them, I sure as hell cant find what they are. They are doing everything I am asking if them and more.

The more I gig them the more I realize that Fender knocked it out of the park with this equipment. Everytime I post about the Rumbles it becomes more and more positive as I just become more and more impressed with them.

Count me in as an official Rumble guy.