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Fender Rumble Club



Last night, only kick and vocals in PA, master at noon, still some juice left on tap!
oops forgot the relevant part for those who don't keep track of who owns what, rumble 200c/112 stack. And that is drop C, one half step higher than the B on a bead or 5er. Gain around 11:30, bass at noon, low mid 1:00 high mid and treble around 2:00, no buttons used.
 
oops forgot the relevant part for those who don't keep track of who owns what, rumble 200c/112 stack. And that is drop C, one half step higher than the B on a bead or 5er. Gain around 11:30, bass at noon, low mid 1:00 high mid and treble around 2:00, no buttons used.
Even though not my kind of music, your Rumble 200 really puts out the bass meat with plenty of volume and definition. Most under-rated Rumble in the line.
 
I think I was the most excited about the deal when I carried it with ease, one handed,out to the car.
I let some guys from another band last night, lift my 200 by the handle. The bass player had an ampeg 810 in a full road case. He said he left his svt head which is also in a road case at home, and used a pf500 last night. When they started, the bar owner (who I've known for almost 20 years of his promoting shows) said to me "sounds kinda thin". Well we all know that pf series class D heads are a little weak for their power ratings, and 810e cabs need a lot of juice to get going, maybe he just didn't turn up that loud because those amps have a tendency to go into overheat mode.
 
I let some guys from another band last night, lift my 200 by the handle. The bass player had an ampeg 810 in a full road case. He said he left his svt head which is also in a road case at home, and used a pf500 last night. When they started, the bar owner (who I've known for almost 20 years of his promoting shows) said to me "sounds kinda thin". Well we all know that pf series class D heads are a little weak for their power ratings, and 810e cabs need a lot of juice to get going, maybe he just didn't turn up that loud because those amps have a tendency to go into overheat mode.
I was telling EdO the other night that I want to get the Rumble 2x10 cab also. The rumble combo and ext cab will still come in almost 20lb under the weight of my 4x10 cab.(92lbs) That's a no-brainer for me as I get older.
 
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Well we all know that pf series class D heads are a little weak for their power ratings, and 810e cabs need a lot of juice to get going, maybe he just didn't turn up that loud because those amps have a tendency to go into overheat mode.
They don't call 'em the Potty Flex for nothing. You can take ampeg's solid state power ratings and divide by 2 to get a more accurate number. Rumble 500's blow the pf800's off the stage and into the dumpster.
 
In the thread about Rumble cabs some say they sound "woofy" in a band mix, like the mids aren't cutting through. I wanna know more about that before I invest any deeper into Rumble land. However, I don't remember how many folks were playing through a Rumble head or another brand. I have a Markbass LMIII head I could take to GC to try a cab, but it wouldn't tell me what it would be like in a mix.

Specifically, I might be interested in replacing my Markbass Traveler 151P cabs with two Rumble 210 cabs. But not if it would leave me lost in the mix.
 
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In the thread about Rumble cabs some say they sound "woofy" in a band mix, like the mids aren't cutting through. I wanna know more about that before I invest any deeper into Rumble land. However, I don't remember how many folks were playing through a Rumble head or another brand. I have a Markbass LMIII head I could take to GC to try a cab, but it wouldn't tell me what it would be like in a mix.

Specifically, I might be interested in replacing my Markbass Traveler 151P cabs with two Rumble 210 cabs. But not if it would leave me lost in the mix.
I to heard that and was concerned prior to investing in a Rumble....but not to worry, if you read up on the eq here and spend some time with it, you will soon see that a wide range of great tones are available at Half the price of a MB. The Rumbles are Lo/lo-mid forward and have a thick punchy footprint. Some overlook that with certain basses and setups you may have to actually cut the bass on the eq, turn the knob to the left, which is something we bass players seem to not do:) It's certainly able to cut like a knife if you eq it to. However if someone is just doing a quick test at a GC and sets everything at noon, they may get the impression that's its woofy or bass heavy. Start with the bass at 9:00, bring mids up to 1-2:00 and don't forget the tweeter options on the back of the cab, they really make a difference when tone shaping.

EDIT: I also have a GK MB212-ii....a more $ and beast of an amp that it is, it stays home and I typically gig with my Rumble 500 head/210 cab and also bring an auralex gramma pad...clarity and a warm punch thats hard to dial in on my GK.
 
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In the thread about Rumble cabs some say they sound "woofy" in a band mix, like the mids aren't cutting through. I wanna know more about that before I invest any deeper into Rumble land.
Keep in mind that there is a lot of anti-Fender hate speech/bashing going on in that thread. Look up @tombowlus posts and read his article in Bass Gear magazine about the Rumble 115, and also pay close attention his and others unbiased comments on Rumble gear.
 
Keep in mind that there is a lot of anti-Fender hate speech/bashing going on in that thread. Look up @tombowlus posts and read his article in Bass Gear magazine about the Rumble 115, and also pay close attention his and others unbiased comments on Rumble gear.

Tom Bowlus = total gear hound (in a good way!) and honestly, anything he says you can take to the bank; no hyperbole, just honest 'from a players' perspective reviews. He's played through more gear. . .maybe why he started a gear magazine! :) I'm going to have to look up that review. . .
 
In the thread about Rumble cabs some say they sound "woofy" in a band mix, like the mids aren't cutting through. I wanna know more about that before I invest any deeper into Rumble land. However, I don't remember how many folks were playing through a Rumble head or another brand. I have a Markbass LMIII head I could take to GC to try a cab, but it wouldn't tell me what it would be like in a mix.

Specifically, I might be interested in replacing my Markbass Traveler 151P cabs with two Rumble 210 cabs. But not if it would leave me lost in the mix.
I have used a Rumble 500 head and 210 combo in a jam, J-Bass sounded exactly like you would expect a J Bass to sound in the mix. I wonder what the cab would sound like with another head though? If you try it let us know.
 
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I tend to keep an ear out for all things Fender, and Fender just posted on facebook a new version of their Mustang digital modeling guitar amps called Mustang GT. Pretty spiffy high tech stuff in 40; 100, and 200 watts. Invalid Link Removed
Last year there were some quiet rumors about the possibility of a re-engineered and higher wattage Bronco digital modeling bass amp to replace the current Bronco 40. I wonder if we'll see one at Summer NAMM?
600_270416_MustangComp.jpg
 
I have used a Rumble 500 head and 210 combo in a jam, J-Bass sounded exactly like you would expect a J Bass to sound in the mix. I wonder what the cab would sound like with another head though? If you try it let us know.

I would love to try the 100 v3 amp through one of my Markbass cabs, but alas, no ext. speaker jack. I could go to GC and try it through something, though. Might do that.