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Fender Sub-lime bass fuzz

Well, I was meeting with my artist rep to discuss an upcoming project & inquired about the Sub-Lime. Fender was kind enough to send me home with one!

The packaging alone is pretty exciting!

The controls look super-simple, at first, but dialing in tones is fairly complex. There's a lot of flexibility based on the relationship between the crossover, fuzz blend and drive. I'm still working on mastering the subtleties (I've only had the thing a couple of hours), but the overall potential is incredible. I'm finding that using the big toe-controlled blend is going to be tricky in establishing a full range that maintains a consistent (or near consistent) volume level. But, as I work with the pedal more, I'm increasingly satisfied.

I'll post a more comprehensive review as I get familiarized with this beast & get some gigs & sessions under my belt with it!

fenderfuzz1.jpg


fenderfuzz2.jpg
 
The controls look super-simple, at first, but dialing in tones is fairly complex. There's a lot of flexibility based on the relationship between the crossover, fuzz blend and drive. I'm still working on mastering the subtleties (I've only had the thing a couple of hours), but the overall potential is incredible.

Please do share your findings....I'm very interested. I'm still trying to dial in my "exact" sound, but am pretty happy so far....
 
I've been putting some time in with "Big Green" today... It's definitely not doing what I was expecting it to, but it's kicking butt on other fronts!

The top toe-controlled knob seems to blend in fuzz with your original tone (but with frequencies rolled out determined by the crossover control). So, counter-clockwise (green led zone) has very little 'dirt' and either has your instruments full sound- or variable slope treble cut out if you dial the crossover back from full open. As you crank up to full-clockwise (red led zone), the dirt gets mixed in (the intesity of dirt is determined by the side 'gain control' which adds from zero dirt up to a lot of it!!!)
The frequency response changes quite a bit when using the toe control.

I wis that the controls were changed- the side "gain" knob adds distortion/clipping without much volume increase - awesome! I wish this was the toe-controlled knob! Maybe a mod is possible?

If you set-it & forget it, ther is a whole slew of great sounds available! They just take a minute to dial in & require bottom panel access. :hmm:

I'm really digging an all-out super-Muff like tone that it generates. Think Russian Big Muff, but with the lows intact & more mids! Very crunchy & infinitely useful. Volume & gain are independent, so it's pretty easy to find a sweet spot. Unity gain between bypassed clean & engaged crunch is even possible without low-end loss! :bassist: I think my Bas Big Muff might be retiring.

Big Green can also do very legit Sly Stone-esque old-school fuzz sounds. The tone control, on the bottom panel, gives a great range of bright to dark fuzz. All settings are usable and I quickly found some accurate 70's era fuzz!

I'll post more as I use it more. I thought I was happy with my EH BBM for all-out fuzz modern tones... Think again!

Big Green is big. And heavy! It uses standard 9v boss style power or a battery. It appears to be true bypass. I looked hard at the circuit- the switch is 3pdt & the circuitboard traces indicate tb potential. The noise floor is ok. There's definitely some hiss at high gain/mix settings, but you cant hear it while actually playing.

I really wish that all of the controls were mounted on top or on the side. The recessed side knobs are cool, but a little inconvenient. The bottom panel trimmers are soooo important- I really wish they were on top! Also, for my own personal needs, I wish that the operation of the toe knob & gain knob were reversed. Real-time control of the gain with my foot would be killer!!!!

Sound quality is really great. Big Green has one of the more 'natural' fuzz tones that I've heard. Not synthy at all. It's definitely not overdrive, but more fuzz-meets-saturated distortion.

I kind of dig the aesthetics. Definitely takes up some real-estate,.. but I think that's part of the charm! Plus, you can pretty much jump up and down on the thing- it's solid!





***full disclosure: I received this pedal free from Fender. I'm making every attempt to be objective, but just so's ya' know!***
 
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Can you post your exact settings (in particular the controls on the bottom). I'm trying to get a little more middy crunch & less "woof".

Thanks!

Right now, my preferred 'Uber-Muff' modern setting is:
-Toe Knob maxxed out
-Drive at 2 o'clock
-Volume just a pich above unity gain (for my setup that means about 2 o'clock)
-OD Tone between 11-12 o'clock
-X-Over at 2 o'clock

**Bear in mind, that at these settings with the x-over set as such, if you dial back the toe-knob- it will have less crunch and more 'woofiness'.**
 
So the big knob is a blend control..... could be useful....

Well, that's not what the documentation says, but my ears tell me that it blends in the preset fuzz from the drive control. It's not entirely clean when dialed back all the way, but it's close.

The documentation is actually pretty non-existent. Fender needs a comprehensive manual for this thing.
 
I'm really curious to find one of these and try it out! I especially like the report above about getting the Old School 70's sound out of it.

I am primarily looking to get that compressed and over driven sound, but very subtly so. I want to add a tiny bit of grind, crunch and overdrive...I am also really interested in the SansAmp VT pedal...

Can't wait to get to a big city and try some of these out!
 
I keep listening to these clips and the clips of the Verellen Big Spider. The longer I listen to them, the more I want both! I could use one (probably the Sub-Lime) for my neck pickup and one (the Big Spider) on my bridge pickup. Of course....knowing my luck the two would combine to sound a lot like something else I've already got.....like a Big Muff Pi or something. :P