Found these two amps within my price range under $500. The Fender used and the Ashdown was a clearance. Trying to decide which to pull the trigger on. Anyone own or have used either of these? It would be played through an Ampeg SVT 410HE 500watt 8ohm cab. With a Fender Modern Player Telecaster and Jaguar Basses. Rock and metal is the style I play. Thanks for any thoughts and suggestions.
I think that you are correct. The TB1200 is good at 2Ω too . I don't know if your 600 has the footswitch with Built in Tuner.. I actually Love that feature. And its been dead on accurate for years now. My TB1200 550 w @8 Ω 800 w @ 4 Ω 1200w @ 2 Ω Even at 8Ω loud gigs i have never lit the CLIP light.. The amp is a powerhouse . I'm thinking the 600 is too. I would like to know if the TB600 is about equal in volume as your Ashdown ABM 600
I just reread my post. I guess I wasn’t clear. I haven’t purchased either one yet, but would like some insight on the two amps. Sorry for the confusion.
OD channel is OK.. Its not really my thing. But what is good is you can BLEND teh OD channel with the Normal channel.. Thats handy The ROOM BALANCE control has helped on many a gig that is too boomy or too bright.. . The BMT controls are OK. Its a typical Fender tone stack. Teh Alembic Preamp is also based on the fender tone stack but it has much more ability to control the EQ than teh TB1200. Its as if teh MID control does everything if turned up past 2 or 3 o'clock.. Its not teh best fender tone stack that i have played. Overall the amp sounds big and fat and mine gets real loud.. I think the Ashdown will give you way more ability to EQ not only the whole spectrum but also make more deliberate adjustments,
I've had both the ashdown abm evo ii (which is the same amp with less eq sliders and no compression) and the fender on 2 ampeg 410 he's. The ashdown was hands down superior in every way for rock. Thick gooey gritty but articulate and very lively. Super easy to dial in great tone and presence. The fender had me ALWAYS fighting it. Much more baked in lows that were hard to dial out without getting weird eq holes in your tone. The vari-q seemed to always be fixing one problem while creating another. The overdrive grit from the abm seemed rich and natural. The fender seemed dark and wooly. The ashdown could cop the fender tone easily, but the fender couldn't replicate the ashdown.
My vote goes for the Ashdown new at only $495 on clearance with the Ashdown warranty. Edit: Plus as stated above, you can cop the Fender tone with the Ashdown. What's not to love. The Fender would be cool, but I would go Ashdown.
Great. Thanks for the replies. And about the Ashdown, does anyone know the power rating at 8 ohms? Every thing I’ve read only stated 600 watts @ 4 ohm, even in the online manual. Would it be safe to assume that it’s the same as the 4 ohm? Or is it always less?
100% agree. Never ever could get the sound I wanted out of a Fender amp. My opinion (and mine only) is that Fender makes great instruments but lack on the amp site. I play on an Ashdown 600 for over 10 years now, 2x10 and 1x15 cabs and it is superb. Owned a T.E. before this, and the owner of Ashdown is a former T.E. engineer. Still, how much I liked that beast of a Trace, the Ashdown is way more sophisticated and pronounced in its sound, clarity, bass boom and whatever! No doubt for me, I would instantaniously get the ABM.
Currently and happy user of Ashdown equipment... Voted for the Ashdown, so far, I have no reason to change and it's definately worth the time trying out.
I own a ABM 500 and I vote for it. I am also owner of a Rumble 100 V3 Combo that I like, but the Ashdown beats is easily. Never liked that (TB-600) era of Fender amps personally.
I do like the Overdrive option. How is the overdrive on the Ashdown? And what are your thoughts on the Fender Bassman 500?
It's not technically amp "overdrive" as much as preamp tube drive. As soon as it's engaged, even at lower settings, it thickens, warms and livens up the tone. As you increase it a nice touch sensitive grit develops. At the upper range it's a real nice driving edge to distortion. Full tilt it starts to thin your tone with hotter signals clipping out your lows.. but anywhere from 9 o'clock to 3 is great and very organic sounding. The amp takes pedals well too.