I’ve heard some people say they don’t sound much like a p.
I don't have a direct experience with Yosemite, unless you are talking about the park, but based on what I know about the performer P, I think I can come up with a few points:
- it does sound stupid, but the performer P comes with a J at the bridge and, believe me, I wouldn't be too surprised if someone says it doesn't sound much like a P because they heard the instrument with both pickups on. I hope that's not the case, by the way.
- the performers have the so-called "greasebucket" mod on the tone circuit, which is more subtle in subtracting frequencies and counteracts the resonant bump when the tone is off. Most people don't like it or find it sounds a bit off, I'm one of those weirdos who has soldered that mod to one P by will, as I mainly use the tone to fine tune the presence and clank in the high mids while retaining intelligibility in the ensemble, at louder volumes. I might grow tired of it someday or I might not...
Anyway, what I mean is that "some people" might not know about it and attribute a different tonal quality to the pickups while it can be primarily down to a couple of cheap capacitors and a resistor. Especially if their idea of "P tone" verges on tone rolled down.
- I think
@JimmyM often mentions being unimpressed by the pre-2012 Am St stock ones (which are not the same, on paper at least) and he definitely has more on-hand experience than me hardware-wise. Modern lines of Fender pickups are not voiced as their reissue counterparts and tend to have less character, let's say. So that might be the case too.