I wonder if they danced just as well?Was it a Sharks vs Jets sort of thing, with lots of finger snapping?
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I wonder if they danced just as well?Was it a Sharks vs Jets sort of thing, with lots of finger snapping?
"I don't think about you at all."YOU THINK YOU'RE BETTER THAN ME?!?!
Roddy Piper in "They Live". "I have come to chew bubblegum and kick a$$. And I'm all out of bubblegum."Was thinking: that’s definitely a Clint line. And it sure was, just not Clint Eastwood!
The crazy thing is someone was stabbed and killed at the exact same bar the next weekend!
Lac de Flambeau? What a name for a dive bar! You could have guessed ahead of time what to expect!
A couple of pretty girls in Ranger Jerseys jumped on stage and coaxed the mic out of our singer's hand. They started chanting "GO RANGERS, GO RANGERS!!" and I don't have to tell you how well that went over.
Nothing like a room crammed full of insecurity.
Sometimes the troubles are all on one side of the stage:
When the Kinks played at Cardiff’s Capital Theatre high-running tensions among band members came to a head while the group was on stage in May 1965 .
Drummer Mick Avory was looking to exact a little revenge on Davies' brother Dave, who had kicked over Avory's drum set in retaliation for an alcohol-fueled fight the night before.
The Kinks had performed just two songs at the Capital Theatre when Dave Davies told Avory, “Why don’t you get your cock out and play the snare with it? It’ll probably sound better.” Needless to say, Avory did not take Dave's suggestion too kindly. When the dust between the two settled, Dave was laying on the stage unconscious while Avory, convinced he had killed his bandmate, fled the concert hall and went into hiding. Dave was rushed to Cardiff Royal Infirmary and received 16 stitches.
When the police caught up with the Kinks' drummer, he denied the whole thing happened. The cops cleverly replied however, that they had the entire audience as witnesses to what went down on stage.
Dave Davies ended up dropping all charges against Avory and somehow, against all odds, relations in the band were smoothed over. The same couldn't be said for their chances of success in the United States, however.
Because of the onstage bust-up and various other misdoings, the American Federation of Musicians refused to let the group tour the United States for the four years that followed the incident, a time when British music had stormed American shores courtesy of the Beatles. The group's popularity in North America undoubtedly suffered as a result. As Davies plainly stated, “In many respects, that ridiculous ban took away the best years of the Kinks’ career when the original band was performing at its peak.”
“We came about in the first days after Beatlemania, got chased everywhere we went and had to have police escorts to and fro,” Ray said. “I never even heard a note we played for a long time, the crowd’s screaming was always so loud. ... We were battlers. But the very thing that makes a band special is what ultimately causes it to break up. What made our music interesting ended up being the very thing that destroyed it."
Read More: Why the Kinks' Dave Davies Was Knocked Out by Bandmate Onstage | Why the Kinks' Dave Davies Was Knocked Out by Bandmate Onstage
The night The Kinks exploded
"The first song they played, fans going wild, was the original big hit that shot them to fame, “You Really Got Me“.
Then there was a kind of awkward pause, and some chit-chat, as though they weren’t sure what to do next. They looked around at each other. But then, Dave Davies, brother of Ray, standing on the right of the stage, took a kick at Mick Avory‘s drum kit. Looking back at it, my guess is that his intention was simply to give the big bass drum a playful prod, rather than the great thump that he actually delivered.
Avory’s bass drum suddenly began rolling across the stage – I mean, right across the stage, from right to left a distance of maybe fifteen feet. This was weird, but some might have thought it was part of the act. It soon became apparent that it wasn’t.
Mick Avory stood up, picked up his hi-hat and advanced towards Dave. He moved behind him, still on the far right of the stage. Holding the hi-hat half way down the metal post, with the two cymbals to the top and pedal beneath, he raised the whole thing above his head and brought the cymbals crashing down on the back of Davies’ neck. My recollection of this part of the proceedings is crystal clear.
I recently watched an episode of Brian Johnson's "A Life on the Road" where he interviews Daltrey. I loved the story of how accurate he became swinging the microphone around. At one show someone threw a sharpened penny which cut him on the face. He saw who did it, and got him back with a microphone to the nose.Sounds like the time Keith Moon and Roger Daltrey had an argument over Moon taking drugs.
(from Ultimate Classic Rock)
The situation came to a head during that tour of Denmark when Daltrey, finally fed up with Moon’s drug-induced behavior and lackluster playing got a hold of the drummer’s stash and flushed it all down the toilet. Moon reacted with predictable fury and Daltrey wound back and socked him in the nose, bloodying and nearly breaking it. “It took about five people to hold me off him,” the singer remembered in the book Roger Daltrey: The Biography. “It wasn’t just because I hated him, it was just because I loved the band so much and thought it was being destroyed by those pills
Moon was obviously irate about the assault, and Townshend and bassist John Entwistle, both of whom also regularly imbibed in pharmaceutical uppers, agreed that Daltrey had gone too far and summarily fired him from the group. The decision stood for about a week until the group’s managers Kit Lambert and Chris Stamp convinced the three men that in order to maintain their upward trajectory, they needed to bring him back into the fold. After agreeing to apologize and abstain from any further violent outbursts, Daltrey was rehired and the Who were free to capitalize on their chart-breaking hit, “My Generation.”