Curious... Rosewood or Maple board? Active or Passive?I put the .040-.095 set on my Jazz bass. They will stay there!
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Curious... Rosewood or Maple board? Active or Passive?I put the .040-.095 set on my Jazz bass. They will stay there!
Bummer! I had the exact thing happen when I swapped them from the first bass I had them on (Fender J) to my Aerodyne (same scale) about 2 weeks ago! I'm really digging the tone, though, and they sound great on the Aerodyne so I got another set; now I've got backup strings for the E-D.G string suddenly break on tuning post while intonation setup.......
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Bummer! I had the exact thing happen when I swapped them from the first bass I had them on (Fender J) to my Aerodyne (same scale) about 2 weeks ago! I'm really digging the tone, though, and they sound great on the Aerodyne so I got another set; now I've got backup strings for the E-D.
I recently put a 40-95 EB Cobalt Flats on a Jazz Bass. Initially I loved the feel and playability. But after about a month the intonation on the G string started going #. At 12th fret it was way #, and even after I maxed out the bridge I couldn't get intonation anywhere close to what it should be. So, I ordered the old reliable EB Custom Gauge Group IV Flatwounds. They have more tension, but they sound warmer, and no G string issues that seem to be going on with the light gauge Cobalts.This is pretty normal issue on EB Cobalt flat, I been experience same issue on early day.
Try Google, lot of this report on net.
I recently put a 40-95 EB Cobalt Flats on a Jazz Bass. Initially I loved the feel and playability. But after about a month the intonation on the G string started going #. At 12th fret it was way #, and even after I maxed out the bridge I couldn't get intonation anywhere close to what it should be. So, I ordered the old reliable EB Custom Gauge Group IV Flatwounds. They have more tension, but they sound warmer, and no G string issues that seem to be going on with the light gauge Cobalts.
Agree, or replace them without the hassle. "Oh, we understand that there have been breakage issues with the G strings in this set, sorry for your trouble, here's a replacement." Makes customers happier than having to badger them into replacing a fragile string, as I had to do. I'm really digging their tone and playability, but their support could use some work.Few months ago, i put a new set 45-100 on my bass , the G string only shown # while intonation, so, i loose the string 3 times and tweak the intonation screw . Suddenly break on G string tuning post on 3rd time.
I do believe it is inner hex core issue while production. The G string has no twist at all, because string just sound right without twisted string chorus effect.
If Ernieball wanna sell the Cobalt flat for long time, they should improve their quality.
Agree, or replace them without the hassle. "Oh, we understand that there have been breakage issues with the G strings in this set, sorry for your trouble, here's a replacement." Makes customers happier than having to badger them into replacing a fragile string, as I had to do. I'm really digging their tone and playability, but their support could use some work.
If it's staying in tune, you've made it past the usual point of difficulty. Most of the problems I've read on here and my own personal example of breakage occurred when installing or reinstalling. EB support initially said reinstalling is not recommended and they were not going to replace the string, although they did relent and eventually replace it. At this point, I expect you're good.
Perhaps, but I have one more bridge mod to do
So, this will be the 4th install
Time for a final set
Someone tell me the Cobalts sound fine (on every string) on their top loaded p bass.
I hear what you're talking about on the G string on both my top-loaded Fender J and my Aerodyne PJ, both full-scale. I think it's the harmonics that that string produces. At first I thought I needed to lower the pickups, but it sounded the same with either pickup and I hear it unamplified, too. I've also loosened them to make sure they weren't twisted, but that didn't help.I've tried Cobalt flats on 3 different basses, mostly of the jazz variety, and each time there seemed to be something weird going on tonally with the G string I could never fix. Otherwise I thought they sounded great. Never had an issues with them breaking like some have had.
Now I find myself tempted to try them on a P bass because I want that round sound with the flat feel but don't want to encounter weird G string issues and waste $50.
Someone tell me the Cobalts sound fine (on every string) on their top loaded p bass.
I hear what you're talking about on the G string on both my top-loaded Fender J and my Aerodyne PJ, both full-scale. I think it's the harmonics that that string produces. At first I thought I needed to lower the pickups, but it sounded the same with either pickup and I hear it unamplified, too. I've also loosened them to make sure they weren't twisted, but that didn't help.
But they work well in a mix, and the higher notes sound great on the handful of tunes that call for that sort of thing. And they're breaking in nicely, still retaining that growl that drew me in from the start. They're not quite as bright as they were new, but they're plenty bright still! I'm primarily using the Aerodyne these days, which is my darkest-sounding bass, and they still have it sounding much brighter. It's sounding better than ever. So even though the G sounds a little different by itself, it's not causing any issues and overall it's easy to ignore. For me, anyway.
I think it's just the character of these strings and I don't think the type of pickups matter with regard to that phenomenon, if in fact we're talking about the same thing.