• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Flangers

May 9, 2016
1,702
1,150
Anyone else really love em? I am finally getting my first stand alone flanger after only getting to play with the ones in my cheap vox multieffects and then a better boss ME-50 one.

The one I settled on is the line 6 Liqua Flange as it seemed the most versatile for the $ just look at this beauty:
ToneCorePedals-a6d8c3c366b5eeb40f0895cca6a9e13d.jpg

They were like 100-150 new but I got one used for 60$ including shipping from guitarcenter online. Should get here any day!

Clearly it won't sound as good as a real analog flanger that costs 2-3x as much but from the demo's I have seen it sounds great for the cash and has a ton of great features.

The things I am most excited about are:

3 main modes, analog, digital and liquid. Here are descriptions of each:

Digital - The wet signal has a flat frequency response.

Liquid - Has dual delay lines with the modulation offset from each other.

Analog - The wet signal has the frequency response of classic analog devices.

11 waveforms including classic and new innovative ones like step and random which are almost sequencer like. These are more self explanatory but here are descriptions anyways:

Saw Down - This wave has a shape that resembles the teeth on the blade of a saw. Within one cycle this wave falls linearly, then immediately rises to it's starting point.

Saw Up - This is an inverted version of Saw Down where the wave has a smooth linear rise and an immediate drop at the end of its cycle.

Envelope Down - This modulation source uses an envelope follower to track the amplitude variations of the input signal and produce a control signal that modulates the flanger?s delay time.

Envelope Up - An inverted version of Envelope Down.

Sine - Uses a sinusoidal waveform as the modulation source.

Step - Uses a modulation waveform produced by a random value generator where each cycle of the LFO produces a different modulation level.

Random - Same as Step but with a smoothing filter applied to the output of the LFO, producing smooth value changes with each LFO cycle.

Vintage - Based on* the unique waveform of the classic MXR® flanger.

Chorus - Uses a triangle modulation waveform with an extended offset and range to produce a chorus effect.

Trigger Up - Uses a modulation source derived from attack detection DSP, this in turn triggers an envelope that rises linearly. The rise time is determined by the speed knob.

Trigger Down - Same as Trigger Up but with a falling envelope.

Full stereo in and out, not sure how it works exactly but I am excited to find out!

Negative/ positive switch which reverses the polarity I believe, in conjunction with the other controls it adds even more versatility.

Tap tempo! At this price I was pleasantly surprised/ impressed they added that as well, and it has a unique set up, at least I haven't seen it elsewhere:

Tap Tempo - Using the innovative ToneCore double-action footswitch, you can tap a couple times and have the flanging pulsations match your tempo. Whether the effect is active or bypassed, you can tap the footswitch lightly to set your tempo. Your first two taps establish the tempo and any additional taps will be averaged in. The Tap Tremolo indicator light flashes the tempo in green when the effect is ON and amber when the effect is OFF.
n.

I was eying a lot of other flangers and eventually I may upgrade to a nicer analog one but I am very excited to give this baby a try! Usually I am not huge on line 6 as I don't like modeling amps or pedals generally. This is more of a super diverse digital flanger though, I guess you could call it a "modeling flanger" as I have heard people say it can pull of many classic models pretty well.

Anyways Just wanted to share my excitement, flangers are really cool. Sorry for any GAS I may have induced ;)
 
Last edited:
I dig the good ol' Boss BF-2. It does everything I want a flanger to do.

I was considering a boss flanger and or phaser, I might get one eventually but I tend to gravitate towards weird pedals :D

An A/DA flanger is my dream, they sound so smooth and warm. Best sounding flanger I have heard hands down, too bad they are not cheap :greedy:

Also I got a few random free VST flangers some of which look pretty cool and hell, they were all free so if they sound half decent its a score. Here is one:

flanger_hc.jpg
 
Last edited:
The Line6 LiquaFlange is pretty nice.
I have a great love for flangers going back actual analog tape flanging and the EHX Electric Mistress. Next my flanger fix was with a Ross Flanger "big red" and later with an Ibanez FL9. Last but not least is the very interesting Dan Electro Psycho Flange that not only looks cool but sounds very unique. Still have them all in my computer collection and the FL9 was part of the board on my tours.
Another interesting and overlooked flanger is in the AdrenaLinnIII that has a unique richness and you can set your flanging sequence, the main effect I use in the studio these days.
 
When I saw your thread title I told myself, "another uninitiated soul who I must make aware of the wonders of the Liquaflange ". It appears my words are unnecessary.

If it had an expression input it would be King of all flangers, past and future. As is, it's simply awesome.

I saw it around on my last quest for a flanger but ended up putting off buying one, then recently I remembered it and figured I should jump on the next decently priced one I saw ;)

I don't even own an expression pedal so I have never used the control out on any of my pedals, very interested to give it a go one day though. I even own a distortion pedal with a control out.

The Line6 LiquaFlange is pretty nice.
I have a great love for flangers going back actual analog tape flanging and the EHX Electric Mistress. Next my flanger fix was with a Ross Flanger "big red" and later with an Ibanez FL9. Last but not least is the very interesting Dan Electro Psycho Flange that not only looks cool but sounds very unique. Still have them all in my computer collection and the FL9 was part of the board on my tours.
Another interesting and overlooked flanger is in the AdrenaLinnIII that has a unique richness and you can set your flanging sequence, the main effect I use in the studio these days.

They are one of the most interesting effects IMO, they can go from subtle lush chorus like textures to alien/ mechanical snarling. Was reading up on tape flanging earlier, I was gifted an old double tape deck awhile back I want to convert to a tape delay or something cool. The AdrenaLinnIII looks like a great studio tool :thumbsup: got to love well designed multi FX!
 
I really like and use the ADA flanger( the small pedal board friendly version).

I hope to find a decently priced used one or get one cloned some day, definitely one of the nicest sounding and most versatile analog flangers I have seen.

There is one being auctioned on ebay right now actually and if I get enough $ in my bank before it ends I may have to bid on it even though I just bought a flanger...

If only I could get rid of some more of my extra pedals :banghead: I may have to become as supporter and list some here if no one locally takes em off my hands.
 
I've always liked flanger the most of all modulation, besides delay, and I've used it a lot through the years. I've had the BF3, which I liked, the TC Vortex, which was cool but didnt really do it for me completely, a MXR BCD, which was very disappointing to me. I want a pronounced and vibrant, lush, modulation effects if I'm using them. The MXR did none of those things. Then I got an SA Orbital. I really liked it so I stuck with it. It does chorus, flanger and phaser quite good IMO. A couple years after that, I felt the modulation itch again. One day I bought a Mobuis. Can't say I want/need anymore modulation at this point. The Mobius does what it does and it does it greatly IMO.

In all honesty, if I didnt have the Strymon right now, I would want to grab one of these Line 6 Liquiflanges. It looks very cool and I bet it sounds even better. I know they hit it out of the park with the Echo Park, the delay in the same line. So this isnt surprising that this flanger is no different. But my modulation GAS is non existent at the moment. There are some out there that I'd love to try one day, the ADA, this one, the Alexander F18 I think it's called. Those all sound phenomenal.
 
The AdrenaLinnIII looks like a great studio tool :thumbsup: got to love well designed multi FX!
The AdrenaLinnIII is an amazing piece and sounds great on guitar, piccolo bass bass and keys. I have even used it as an insert effects for vox to get a specific delay pattern, much easier to program than any other device I had access to at the time.
 
The TC vortex was tempting me for awhile but I never went through with it. I want to get some more TC effects eventually just for the toneprint options alone, but they all sounds pretty great too IMO.

The AdrenaLinnIII is an amazing piece and sounds great on guitar, piccolo bass bass and keys. I have even used it as an insert effects for vox to get a specific delay pattern, much easier to program than any other device I had access to at the time.

I love when effects have a nice wide voice and can handle whatever you throw at em :thumbsup: Ease of programming alone makes hardware worth the $ IMO too, even if free VST's get to the point they sound just as good hardware will always be the most convenient and will probably sound the best in many cases too.
 
I finally will be up for testing the liqua flange out soon, been feeling super sick the past few days. My stomach just finally started managing to keep liquids down again...

That is what I get for staying up for 2 days drinking a bunch of coffee + kratom... Was trying to flip my schedule around by staying up all night and crashing early but I pushed it.