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Flats on a 6 string?

I have half-rounds on mine, and that's also what Patitucci uses.

I think if you are using a 6-string in a jazz setting the flats tone makes sense. Sort of mellow and dark, like Pat Metheny's tone on a bass.
 
MY only 6 is 36 inch scale and TI Jazz Flats super long scale are expensive but I may do it. Not sure if I can get GHS flats

One of my 5 strings is strung E-C, with La Bella Gold Tapes (I know now really a flat). The reason I like these La Bellas is that they are fatter, the C is like 0.043 gauge. But I am sure I can't get them for my 6.
 
My only 6-string is fretless, and yeah, it's got flats. It doesn't matter how many strings; I choose based on the sound I want. I currently use flats on both my fretless bass guitars (the other is a 4-string), but I used to like rounds when I was playing more rock and wanted more in-your-face edge to the sound.
 
I bought the 6 when I was young and naive and thought a 6 string bass would cover every contingency and I would only ever need one bass. I bought a nice instrument figuring I would buy once and cry once. It really sounds and plays great but a 6 string neck is a beast to play when bass is your second instrument and not getting the lion's share of practice time.

I have found that I like how flats sit in a mix but its not necessarily the sound I want for every track. I want at least one bass with flats. I am debating which basses get which string types.
Maybe labella white nylon gold tapewounds would interest you. I play the copper, the gold is supposed to be the brightest.
 
Payson strings have tapered B and E strings. I have Payson flats on my Dbird. Not quite as flexible as TI flats, but not anywhere near the bridge cable feel.

My one problem with TI jazz flats was the untapered, whopping big .136 B string. I needed shorter saddle screws to get it down where I wanted it.
 
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I suppose the number of strings does not really matter, but I am curious how many 6 stringers prefer flats?. With a 6 string bass being a forward looking idea and approach, flats seem counter intuitive save for maybe a fretless instrument.
I don’t know man…(best Chong impression)
Ya know, you’re gonna pi$$ a lot of fu@%i&@ people off, doin that sh!#, man. Here, leave yer stash with me and I’ll make sure nobody knows where you went. Now, RUN MAN, RUN.
 
You gave yourself an answer: "forward looking" does not equal "roundwound".
[Also, flats+fretless is only a thing if you're obsessed with preserving your board (or if you like that specific tone): the Jaco tone requires rounds, not flats.]

Fair enough. I probably did not articulate that well. In my mind flats brings images of James Jamerson and Carol Kaye even though I know their use is quite common today in a lot of styles
 
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Fair enough. I probably did not articulate that well. In my mind flats brings images of James Jamerson and Carol Kaye even though I know their use is quite common today in a lot of styles

The tone I get from ti jazz flats works perfectly in the group I'm playing with... indie/pop rock kinda vibe.

I played a 6 with ti jazz flats on Invalid Link Removed
 
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