I also played 6’s when I was younger and dumber… but the idea of installing flats to smooth out the upper register sounds very cool.
HuH?
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I also played 6’s when I was younger and dumber… but the idea of installing flats to smooth out the upper register sounds very cool.
HuH?I suppose the number of strings does not really matter, but I am curious how many 6 stringers prefer flats?. With a 6 string bass being a forward looking idea and approach, flats seem counter intuitive save for maybe a fretless instrument.
Maybe labella white nylon gold tapewounds would interest you. I play the copper, the gold is supposed to be the brightest.I bought the 6 when I was young and naive and thought a 6 string bass would cover every contingency and I would only ever need one bass. I bought a nice instrument figuring I would buy once and cry once. It really sounds and plays great but a 6 string neck is a beast to play when bass is your second instrument and not getting the lion's share of practice time.
I have found that I like how flats sit in a mix but its not necessarily the sound I want for every track. I want at least one bass with flats. I am debating which basses get which string types.
Is it the La Bella bass VI flatwound set (and, if so, how does it fit)? Or something else?Currently I have an Ibanez SRC6 strung with flatwounds.
I don’t know man…(best Chong impression)I suppose the number of strings does not really matter, but I am curious how many 6 stringers prefer flats?. With a 6 string bass being a forward looking idea and approach, flats seem counter intuitive save for maybe a fretless instrument.
I bought La Bella Bass VI flatwound set first. Turned out, the winding length was too long for the SRC6. Instead, I use La Bella Hellcat flatwound set which winding length is perfect for the SRC6:Is it the La Bella bass VI flatwound set (and, if so, how does it fit)? Or something else?
You gave yourself an answer: "forward looking" does not equal "roundwound".
[Also, flats+fretless is only a thing if you're obsessed with preserving your board (or if you like that specific tone): the Jaco tone requires rounds, not flats.]
Fair enough. I probably did not articulate that well. In my mind flats brings images of James Jamerson and Carol Kaye even though I know their use is quite common today in a lot of styles