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Flats on a string thru body bass?

GBassNorth

Gold Supporting Member
Dec 23, 2006
20,671
108,193
SoCal
Has anyone successfully strung flats on a string thru body Mustang or other short scale bass?

I'd really like to give a set of flats a try on the Mustang but most of the sets I look at claim they can't be used on a string thru body bridge because of the break angle. Are there any options short of drilling the bridge for top loading or buying a different bridge?

I was hoping to try some TIs or LaBella short scale flats if possible.
 
AFAIK, LaBella is the only manufacturer that actually warns against using flats on a string through (I could be wrong though).

Notwithstanding, I have used flats on a string through Jazz bass (not a short scale, I know) and never had a problem with wraps unwinding or strings breaking. They were TI Jazz flats.
 
There's another current or recent thread that talks about a new Labella flat made specifically for the Mustang scale and through-body stringing. I think the code for the string contains MUS so you should be able to search for it.

It's true that their normal DTF strings can break used through body but apparently the Mustang flat involves a redesign to the ball end.
 
My first and last experience with flats & string-through was in 1984 when I put flats on my PV T-40. The extreme break angle coupled with a more rigid string was not a good combination. The G broke during the first gig (at the bridge saddle) and the E failed soon after.

I understand the desire to get good downward force on a bridge saddle, but the break angle on some basses goes beyond the useful range, IMO.
 
So it's looking like the TI flats are no issue but the La Bella flats could be hit or miss.

I'll give the TI's a try, will they get that old school sound or are they overly brite? My point of reference is Chromes, much too brite out of the pack for me and never really seemed to dull down, so how do TI's rank against Chromes (brighter or darker in sound).

The Chromes were fairly stiff but I've heard the TI's are very loose for a flat wound, maybe even more so than roundwound strings. I dont think that will be a problem with my left hand but my right digs in every now and then so if it's true I'll have some getting used to do.
 
The TIs do not sound like a classic flat if that is sound you are after. They sound great, but if you are looking to emulate old school flat sounds/tone they don't do it. That said they are to my ear an exceptional sounding and playing string. They just don't thump like dead LaBellas or Fenders. As far as a comparison to Chromes they are not nearly as bright and as has been stated in this forum before they have a much stronger mid range presence and thus sound extremely warm in comparison. As far as tension goes, they feel like a standard roundwound and there floppiness is somewhat exagerated in my humble opinion. -Cheers.
 
I have GHS Precision Flats #3050 on my Mustang Bass. They work fine and have a good thump. Whatever brand you get, try to find out the overall length before you purchase them.

Some short scale strings are too short to accommodate the little bit extra needed to go through the body. A Mustang is about 33" from nut to ball. D'Addario has good info about this on their site.
 
I think you could use D'Addario "Chromes" medium scale flats on a Mustang. Just email them to ask about break angle concerns. The medium scale strings will definitely be long enough.

Chromes are a brighter sounding flat, relatively speaking. But your options are limited.
 
I have GHS Precision Flats #3050 on my Mustang Bass. They work fine and have a good thump......

+1

Of all the flats I have tried, these have the best old school P Bass tone. They can create everything from a nice percussive attack, to a hollow woody tone, all the way to a simple deep fundamental Motown tone.

I have flats on three basses right now. TI Flats are on one of my Rics, they are a very expressive, melodic string.

Chromes were too chimey for my tastes.

I got a set of Roto TruBass RS88 Tapewonds fresh in box that came with a bass I bought. I just put them on one of my Hamer's with the 2Tek bridge, essentially string through. I can see some straining and stretching in the tape as the string goes over the bridge, we'll see how long before the tape cracks off. Can't tell what is happening to the strings themselves. What the heck, they were free. These give a tic/tac sound, think Patsy Cline or other late 50's, early '60s Nashville sound.
 
I've got Precision Flats on a five string bass that can only string through the body. Even the B string works.

I've been using Lakland Joe Osborn flats for almost 15 years. I could easily switch to Preceision Flats. They're practically the same (great string for me) and you can get them for less money.

I've used a lot of different flats and that's saying something. I wasn't as happy with Chromes or TI Jazz Flats, Fender Stainless flats (to me, yuck!) or anything LaBella. YMMV, but I'd recommend the Precision Flats as well.

KO