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You can easily change that with just jumper settings on top of the switch board inside the bass. Takes 2 minutes. Very simple. There are diagrams on how to do it available from Fodera. Might be available for download on their site.
I believe that Tony's six bass was 16.5 mm spacing but now he has changed the bridge to a Fodera made. Anyone know if that is a 17.5 mm or Fodera have made a 16.5 Fodera bridge?
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I believe that Tony's six bass was 16.5 mm spacing but now he has changed the bridge to a Fodera made. Anyone know if that is a 17.5 mm or Fodera have made a 16.5 Fodera bridge?
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Flaked Beans said:He switched to 17.5mm.
Just Thumpin' said:Tony's Foderas have always been 17.5mm. We jst started making our own 17.5mm bridge roughly 2 years ago...
J
Thanks. Will that work fine if the fingerboard was carved to a 16.5 mm bridge?
Jep I know. I was just sure that he had 16.5 hipshot bridge when you made it back in the days. Not a 17.5
But if you say so![]()
Mike! You are a genius. The preamp is simply amazing
I agree, I love the look of a bare-naked fingerboard. It's not difficult to get used to only having side dots either. I've been trying to get to the point where I don't need to look at the fb while I'm playing anyway. But when I do need to look down, the side dots are enough.
PS love the claro top!
I am positive. I am the person that took the old one off and replaced it with the new bridge. While it is possible (but not ideal) to go from a 17.5mm bridge to a 16.5mm bridge on the same instrument, you could never go from a 16.5mm to a 17.5mm as there would not be enough space at the edges of the FB for the strings...
Regards and now back to vacation...
J
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I like and "need" dots!![]()
steubig said:the thomatiks aren't super motown-ish to me. i love 'em, but i think they have more nuance than thud, even if they are super old and beaten to s***.
that being said, taking out highs and boosting lows can get pretty dubwise.
i actually have a 6 with carvin (ghs, i think) flats on 'em that i waxed to deaden. those sound way more motown-ish to me. another benefit is that these are cheaper than some strings, so you won't be out too much if you hate 'em. i like 'em better than i did the la bellas or d'addario sets that i tried in the 90s.
dunno, exactly how you hear this stuff, so it's hard to say if either would fit for you.
I gotta say I thought the instrument was too expensive but you really get what you pay for with these instruments.
thanks! are you getting a MG too?