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So just as I suspected. There are probably very few active musicians using a herd of high end basses on big stages. Most everyone is doing a day job, has good credit and the disposable income to buy expensive gear.
I wonder what the percentage of bass players that visit this website regularly that perform in successful high paying gigs. I've often suspected low.
I don't drink booze, take drugs, or gamble.
I also have a day job.
That combination provides a good equipment budget if one prioritizes that. I do a lot of paying gigs, but the choices I made earlier in my life (switching from music major to something else in college), along with choices I make today, allow me to buy the gear I want and also play shows that don't pay well.
It comes down to priorities. If you don't have a few beers every day you'd be amazed at how much money you don't spend.![]()
That is pretty much my story. I wanted one ever since hearing Return to Forever with Stanley Clarke playing one. However for almost all of my music life i've enjoyed being a guitarist so buying an expensive bass wasn't on the radar. That said I've always been a good saver, and never partaken in drugs, drink or cigarettes and had a good day job.Most expensive bass I've ever owned was an Alembic.
It was priced lower than usual for an Alembic because the store wanted to move it.
Mostly it was me being in the right place at the right time with (just) enough money to swing it. Not really an impulse buy. I had dreamed of owning an Alembic ever since I first heard one. So it was more a case of carpe diem. Literally one of those "once in a lifetime" deals.
I've always avoided this demon and will always do so!No cash, no buy. I can't handle the demon credit card
It took me 30 years and a recession to understand I simply can't do it. Others are stronger than me.I've always avoided this demon and will always do so!
OK. Now that I know who you are talking about, he is popular enough to make the sort of cash needed to buy those basses. He has a few custom Zons, all of which I'm sure cost a pretty penny. He has a few solo albums and a reasonable discography (Michael Manring - Wikipedia), as well as doing a lot of clinics and lessons. He learned under Jaco for a while, so people are willing to pay him just to hear Jaco stories.I talked about Micheal Manring. I could find his name on some stuff but far from popular stuff even for jazz connoisseur