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I attended the master classes on Thursday and Friday. Really informative and makes you think differently about how you approach the instrument. Plus, I loved how he ended the 20-30 basses on stage session on Friday with everyone doing two rounds of improvisation.
Nope. I live in Virginia, MN. I just happened to see this thread advertising it a couple days ahead of time, and as it turned out, this was the one free weekend I have all month and was able to make it.
Did I meet you on Thursday? I was the 17 year old who played the exposition of the Vanhal Concerto.
Sorry, I'm just trying to match the names of the people on this forum to faces.![]()
My favorite nugget of wisdom from Rabbath was this: everyday he "cleans his ears" so that he can listen fresh to whatever he is working on. Seems obvious, but I realized I hardly ever *really* do this.
You better get a bent endpin ASAP![]()
Haha, I'm actually seriously considering it now. I'm going to try out a few basses that have them and see if I like the way it feels. If I do I might have the operation done on my own bass.
You can get a Rabbath style endpin block at KC Strings, and have it installed without drilling holes in your bass.
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This is not true. Plugging the hole is a simple procedure. If your luthier is good with touchup, it can be seamless. Someone would be a fool to refuse an instrument simply for having a Laborie installation.It breaks my heart to see beautiful old instruments with an extra hole in the end block, and it most certainly devalues the bass.