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Freebird, and other cliche covers

I heard Freebird while driving to work today. It got me thinking...

First, I never, ever heard a band cover Freebird.

Second, if a band ever did, and they did it as recorded - that would be one of the most AWESOME covers a band could do. IMO, of course. Never really listened closely before, but there's a WHOLE lot of stuff going on in that song, and it doesn't sound easy at all to play convincingly.

Why and how did that become the cliche, 'please don't ever play it', cover song?

And with that out of the way, what song do you think SHOULD be the cliche, 'please don't ever play it' song. My votes go to one of these:
  • My Own Worst Enemy
  • Don't Stop Believing
  • Blister in the Sun
What sayz you?
Hi Ho Silver Lining. Never play this
 
Mustang Sally
Brown Eyed Girl
Louie Louie
Wooly Bully

just to name a few

Yes all are well-worn standards that I've heard too many times & but apparently Party crowds haven't?...
I played a retirement party last weekend where Brown Eyed Girl & Wolly Bully had 3 generations having a blast on the dance floor.
As the OP said, Heck I'll play whatever folks want to hear, It's the entertainment business.. I never forget that..

To me at least the key to playing what is considered "played out" is to nail the vocals, add harmonies & dynamics that fit & you've created your own version of the song. Epics like Free bird I'll avoid, Too many moving parts!
 
I've had this fantasy with "Astronomy Domine" for some time. And you say it worked? I'll tell the guys.

That band was a pretty self-indulgent Prog originals band. But we had a regular gig at a bar, so we'd always throw in an odd cover. Wondering Aloud by Tull, and we did Sheep by Floyd as well. (We did shorten considerably the spacey middle bit of Echoes - that would have really been pushing the boundaries!)
 
Serious question: why is Sweet Home Alabama a hack classic where as Freebird is verboten? Is it the length? An old band of mine occasionally played parts of Freebird as a joke at practice. It was always fun.

"Sweet Home Alabama" is an easy song to play poorly & if the audience is an indiscriminate bar crowd they are likely enjoying it as they can join in on the chorus and therefore be part of the action. Freebird played poorly is an exercise in monotony. Again, Drunks don't care.. I've always felt Skynyrd is a band to stay away from for cover acts unless they can nail the nuances of their music, There's a lot going on!
 
I heard Freebird while driving to work today. It got me thinking...

First, I never, ever heard a band cover Freebird.

Second, if a band ever did, and they did it as recorded - that would be one of the most AWESOME covers a band could do. IMO, of course. Never really listened closely before, but there's a WHOLE lot of stuff going on in that song, and it doesn't sound easy at all to play convincingly.

Why and how did that become the cliche, 'please don't ever play it', cover song?

And with that out of the way, what song do you think SHOULD be the cliche, 'please don't ever play it' song. My votes go to one of these:
  • My Own Worst Enemy
  • Don't Stop Believing
  • Blister in the Sun
What sayz you?

I'm only opposed to songs that don't "fit" the moment, like playing My Girl at a dance club.

My band does a pretty faithful Freebird cover and it's actually a lot of fun!
 
"Sweet Home Alabama" is an easy song to play poorly & if the audience is an indiscriminate bar crowd they are likely enjoying it as they can join in on the chorus and therefore be part of the action. Freebird played poorly is an exercise in monotony. Again, Drunks don't care.. I've always felt Skynyrd is a band to stay away from for cover acts unless they can nail the nuances of their music, There's a lot going on!

I learned a bunch of Skynyrd on guitar back in the day. Freebird is fairly straight forward. The solo is long and requires synchronization, but they're easy patterns. Gimme Back My Bullets has pretty complex guitar parts.
 
I was in a band that did Freebird on occasion. Crowd always liked it.

Our "lots of stuff going on at once" song was Molly Hatchett's version of "Dreams I'll Never See".

BnB


You do understand "Dreams I'll Never See" is "Dreams" by the Allman Brothers, set to a different tempo. Heck the album lists Allman as the writer and yet MH changed the title?
 
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A lot of the standards are awful to do just because they're almost never played well. People completely half-ass their way through them.

My last classic rock cover band did Stairway to Heaven, kind of, and it went over huge. We did a rocked up version of Rollin' In the Deep by Adele in A. I switched instruments with one of the guitar players during the breakdown section of that, and at the end of the Adele song we went into the fast part of Stairway. Same chords so it flowed beautifully. I got to play the guitar solo. Audiences loved it.

I wanted that band to do Free Bird and Smoke on the Water. We either reproduced recorded versions note for note or did very good custom arrangements. We rehearsed a lot and quality control was pretty high. Everyone had full rights to stop a song in rehearsal and point out something that didn't sound right. For those two songs we would have faithfully done both live versions. We would have absolutely nailed them.
 
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The last few gigs we've had drunken audience members shouting out "Play Freebird," at times annoyingly so and non-stop. Last night during practice we worked up a version where we do start a normal verse, then count in a punk ska version to finish the verse and a chorus. Then end on 1.

Or maybe we should then go into a version of the Smiths "That Joke Isn't Funny Anymore?"
 
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Dreams I'll Never See is my absolute favorite to play. It's hard to find a lead that can do all 32 bars of the solo, though. I've been in a couple. The vocals are right in my wheelhouse so it rocked when we did it.

Agreed. Never played it in a band, but I love listening to both Molly Hatchet's and the Allman's versions - two VERY different versions of the same song, and both VERY good. And the Allman's version is 3/4 time while Molly's is 4/4 - how many remakes actually mess with the time signature that much?

Back in my early cover band days, the song I hated playing the most was Chicago's "Color My World" I used to just stand there looking bored, hitting a single bass note every measure or two. Since then I've developed a greater respect for the song.
 
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My crappy band does Louie Louie. I use the fuzz pedal to begin song playing alone and then throughout the song. I think it sounds great, but we're total amateurs. We are professionals in other things and only do this for fun. I we play out I hope we play it!
 
All of the songs mentioned here can be fun to play IF part of your fun comes from watching the audience shock and amazement at such songs being done mostly correct.

Listen to the isolated bass lines on youtube of the songs on this thread and then come back.
PS: band I'm in now will do Freebird if requested. One MUST HAVE a capable slide player to do it.

Speaking about the part in red above: I learned something today. Thank you. :thumbsup:
 
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Only reason my current cover band started doing Brown Eyed Girl, and Play That Funky Music is because it got requested a bunch. (The song Play That Funky Music is about someone requesting Funky Music!) The truth is that these are cliched because the audience (and the dance floor) loves them.
 
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