I used to be in a classic rock cover band that would occasionally play the jammy end section of Freebird sans vocals if anyone yelled it out. It seemed to please the hecklers and was tolerated well enough by the band.
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Played Freebird once for $100. Drunk guy bet us that we couldn't. Four chords, and three groove change-ups.
At my jam every week is a woman who is developmentally handicapped. She is a big supporter of live music, spends lots of money, and is everything you want in a bar customer- except- She wants to sing Mustang Sally. She doesn't know the words, nor how to find the one. It's f'ing dreadful. The audience gives her big cheers for doing it, and we keep it to under two minutes. I can never listen to that song again (and the Commitments nailed it) with out hearing her catterwalling gibberish.
Funny how many tunes musicians hate or even refuse to play is what the audience loves to hear.
You know what, you're exactly right. That song gets crazy as hell the last few minutes! It starts out melodic and morphs into a bombast of screaming guitars backed by high-energy bass and drums. A true "jam" session in the studio. I've seen these guys live a few times and they sound better live than in the studio... if you can believe that! Leon Wilkerson was probably the guy credited with most of the recordings (bass) but Ed King (who was actually one of the 3 guitarists in the band) wrote and played some unbelievable stuff. I know King wrote and played the "Gimmie 3 Steps" bassline, among others.I heard Freebird while driving to work today. It got me thinking...
First, I never, ever heard a band cover Freebird.
Second, if a band ever did, and they did it as recorded - that would be one of the most AWESOME covers a band could do. IMO, of course. Never really listened closely before, but there's a WHOLE lot of stuff going on in that song, and it doesn't sound easy at all to play convincingly.
Why and how did that become the cliche, 'please don't ever play it', cover song?
And with that out of the way, what song do you think SHOULD be the cliche, 'please don't ever play it' song. My votes go to one of these:
What sayz you?
- My Own Worst Enemy
- Don't Stop Believing
- Blister in the Sun
It actually makes sense to me. I guess that's what you meant.Funny how many tunes musicians hate or even refuse to play is what the audience loves to hear.
Mustang Sally
Brown Eyed Girl
Louie Louie
Wooly Bully
just to name a few
Great point! Not a lot of horn players out there. Especially in cover bands. I guess one could "emulate/mimic" horns on a high quality keyboard. EWF and Chicago were awesome bans. It would be nice to cover some TOP, "What Is Hip?" Not that I would be able to play it, though!A lot of Rock oriented songs in this topic.
I’ve never heard a cover band playing anything from Earth Wind and Fire that sounded well. I don’t think it can be done.
Define "musical merit", please.This is correct, and I like playing every single one of them. Why? Because the audience likes them.
I'm there to please the audience, not to avoid playing something that I've played a number of times before. I also happen to love playing the Peter Gunn theme, which is one of the most basic tunes a bass player can do - which is exactly why I like it.
And if there's a "rock" number with less musical merit than Freebird, I can't name it offhand. Terrible piece of music. THAT is a good reason not to play it.
To each their own. I think it would be a fun, jammin' tune to play. How can you not follow that beat?How about having melodic continuity, a beat that one can follow, and being a pleasant experience to play?
For me, Freebird meets none of those criteria. (Note the "I" statement.)
To each their own. I think it would be a fun, jammin' tune to play. How can you not follow that beat?