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Fretless players

Also the haunting intro to "Hey You" from The Wall.

Everhard Weber, upright electric player was responsible for the lovely work on Kate Bush's "Mother Stands for Comfort" on the Hounds of Love album.


Weber's work On Metheny's Watercolours album and his playing with Jan Garbarek is some of my favorite music, his tone always resonated with me.
Beautiful musical portraits!:)
 
Pretty predictable list I think. But John Giblin and Alphonso Johnson are greatly missed in that list. They deserve to be there in much more than Bill Wyman and Jeff Ament, especially Bill. Jeff is nice and might have influenced some rock players but he can't compete with most others that are in that list in my opinion.
Yeah, any list like this has to be taken with a grain (or a pound) of salt. It’s also probably worth noting that it was compiled by someone who is not, principally, a fretless player.
 
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The first time I ever heard a fretless player, it was Freebo, in the early '70s. A musician on the folk/blues/singer-songwriter scene . He was in Bonnie Raitt's band way back, and is still active, I think.
Yes he is, but in the past few years he’s taken a singer/songwriter/acoustic guitarist path, often working with a female vocalist…


But he hasn’t given up on bass…
 
I vaguely remember this Duran Duran spinoff. I'm a huge Egan fan and I have no idea how I didn't know he played on this.
In case you didn’t know, Egan worked extensively on the first Joan Osborne album…
Relish (album) - Wikipedia
…and IIRC from an interview at the time, used an old Vox AC50 head. An unlikely choice, but I’ve got a ‘66 AC30, and kept at a low volume, bass through it sounds pretty sweet. Different power tubes, of course, and the open back factor.
 
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In case you didn’t know, Egan worked extensively on the first Joan Osborne album…
Relish (album) - Wikipedia
…and IIRC from an interview at the time, used an old Vox AC50 head. An unlikely choice, but I’ve got a ‘66 AC30, and kept at a low volume, bass through it sounds pretty sweet. Different power tubes, of course, and the open back factor.
I think I did know that. Egan's one of my favorites of all time but his catalog is pretty varied. A lot of it is a bit to0 smooth jazz for me, but when he does the real jazz thing, there's few better IMO.