I have said it before, but this bass would be a great candidate for conversion to a maple fingerboard fretless P-bass. It already has Cobalt Flats which I would keep.
Get out the fret pulling pliers and go to work....
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I have said it before, but this bass would be a great candidate for conversion to a maple fingerboard fretless P-bass. It already has Cobalt Flats which I would keep.
Isn't Frampton Comes Alive all fretless P-bass?I’d like to see Fender make a Stanley Sheldon model fretless P-Bass. I’ve always loved the look of an unlined maple fingerboard.View attachment 3738461
Isn't Frampton Comes Alive all fretless P-bass?
when I saw this one, money started flying outta my pockets!
View attachment 3737415
I agree with Dr. Cheese. There isn't one standard fretless tone. Like Inara and others, I also don't prefer the bridge pickup jazz bass tone. It sounds nice at home and with a flanger or chorus, but doesn't work in my rock band at all. I prefer a thicker sound that offers more support. I always use nickel round wounds, DR Sunbeams are my current favorite. Flats just don't give me enough of that singing quality that I like and I don't like the way that they feel when I glissando from note to note. When my fingerboard gets worn, I have it dressed. It just goes with the territory.
Had one exactly like this in the mid 70s, great bass!I’d like to see Fender make a Stanley Sheldon model fretless P-Bass. I’ve always loved the look of an unlined maple fingerboard.View attachment 3738461
I’d like to see Fender make a Stanley Sheldon model fretless P-Bass. I’ve always loved the look of an unlined maple fingerboard.View attachment 3738461