Not that I need any more projects this winter than I already have, but this will be a relatively simple one in comparison. I'm planning on making a fretless Thunderbird out of an Epiphone body. I wrestled with finding a Gibson with a broken headtock or in need of some TLC, but in the end figured I'll play it safe on the check book and go with the Epi. I'm looking at either using a Goth or the Nikki Sixx because they have the Mahogany bodies, so I'll have some decent lumber to start with. Eventually I can mod it out from there but for now I'm just looking at doing a defret job.
The Goth doesn't have fingerboard inlays other than the "XII", so it might lend itself better to being fretless - but I wonder how the Iron Crosses of the Nikki would hold up being fretless? Reason I ask is because on my regular Gibson Blackbird, I can feel a couple of the crosses starting to loosen up. I'm wondering if flatwounds making contact with the cross inlays on the Epi will either cause them to come out, or actually work to keep them pushed back in?
Thoughts?
The Goth doesn't have fingerboard inlays other than the "XII", so it might lend itself better to being fretless - but I wonder how the Iron Crosses of the Nikki would hold up being fretless? Reason I ask is because on my regular Gibson Blackbird, I can feel a couple of the crosses starting to loosen up. I'm wondering if flatwounds making contact with the cross inlays on the Epi will either cause them to come out, or actually work to keep them pushed back in?
Thoughts?