I'll go down to an open string from a higher note, but going up to a note I'd prefer to use a fretted note. I can do things a little cleaner that way.
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If you are not looking to emphasize the note (knowing which song you are talking about would help in a definitive answer) and it's as easy to play fretted most players would fret because you have absolute control over dynamics - whereas open strings tend to be inherently louder and brighter and will "jump" - of course, if that's what the song calls for, open is it.First, I know someone is going to say play it how I want. Thanks, but looking for more. Consider this a bass theory question.
Working on a song (using tab, shoot me) and the tab shows to play the open D. Does the open string really sound different? I can't hear that sort of difference if there is one. Cheaper Yamaha, cheap practice amp at a pretty low volume, and very bad ears. The ears being the main cause.
Instinctively I am wanting to play the D on the A string fifth fret.
I know that tab isn't sheet music and is the interpretation of whoever did it (this is on Songster,btw). I am curious why he/she would have selected the open string D instead of the fretted. Part of my problem may come from having read somewhere way back when that open notes are to be avoided if possible. 25-30 years ago, so please don't ask for the source. One of the many books or videos I had is all I remember. And I could be remembering it out of context.
Thanks,
Russ
Working on a song (using tab, shoot me) and the tab shows to play the open D. Does the open string really sound different? I can't hear that sort of difference if there is one. Cheaper Yamaha, cheap practice amp at a pretty low volume, and very bad ears. The ears being the main cause.
Instinctively I am wanting to play the D on the A string fifth fret.
I know that tab isn't sheet music and is the interpretation of whoever did it (this is on Songster,btw). I am curious why he/she would have selected the open string D instead of the fretted. Part of my problem may come from having read somewhere way back when that open notes are to be avoided if possible. 25-30 years ago, so please don't ask for the source. One of the many books or videos I had is all I remember. And I could be remembering it out of context.
Thanks,
Russ
Working on a song (using tab, shoot me) and the tab shows to play the open D. Does the open string really sound different? I can't hear that sort of difference if there is one. Cheaper Yamaha, cheap practice amp at a pretty low volume, and very bad ears. The ears being the main cause.
+1 with it depends on tone, position, complexity, etc.
But, let's ask WWJJD?
I was surprised when I saw the first few seconds of this video. It makes total sense that JJ is playing open G and not 5th on the D, because he comes from the DB, where, based on my limited knowledge of DB, position and economy of motion are often the key deciding factors open v. fingered. Where BG only players often say they prefer fretted over open for tone reasons, making that the deciding factor. I think he's playing the C on 3rd A with his pinky or ring finger so that when he goes to low F, his hand doesn't move out of position. I'll bet most BG only players fret the G, like I always have, but have since switched since seeing this vid. I have been working more on economy and playing in position lately.
First, I know someone is going to say play it how I want. Thanks, but looking for more. Consider this a bass theory question.
Working on a song (using tab, shoot me) and the tab shows to play the open D. Does the open string really sound different? I can't hear that sort of difference if there is one. Cheaper Yamaha, cheap practice amp at a pretty low volume, and very bad ears. The ears being the main cause.
Instinctively I am wanting to play the D on the A string fifth fret.
I know that tab isn't sheet music and is the interpretation of whoever did it (this is on Songster,btw). I am curious why he/she would have selected the open string D instead of the fretted. Part of my problem may come from having read somewhere way back when that open notes are to be avoided if possible. 25-30 years ago, so please don't ask for the source. One of the many books or videos I had is all I remember. And I could be remembering it out of context.
Thanks,
Russ
I agree this is something to consider and practice....and practice...and practice. Ultimately though what sounds right to me trumps everything else. Unless it's a pretty fast passage generally a closed string is where I go. I just did a gig playing Jerry Lee Lewis type boogie woogie lines on the upright. Especially in keys like D and A it would have been much easier to use open strings but since mostly doing that sounded like ass with those lines I didn't.
Why? You already shot yourself choosing to take some internet dweeb's word for how it goes instead of developing your ears.
Who cares? Tab, lyrics and chords on the interwebs are often wrong...very, very wrong sometimes. Tab is generally worth about what it costs.
Yes it does. There are several factors as to why but one is that whether or not you you're aware of it you're constantly muting to some degree with your left hand. It takes a ****load of practice to mute an open string and make it sound like you're doing it on a closed string.
I don't like tab and open or closed notes are a personal choice. I find that if I depend too much on closed notes, my open note playing gets sloppy.I agree this is something to consider and practice....and practice...and practice. Ultimately though what sounds right to me trumps everything else. Unless it's a pretty fast passage generally a closed string is where I go. I just did a gig playing Jerry Lee Lewis type boogie woogie lines on the upright. Especially in keys like D and A it would have been much easier to use open strings but since mostly doing that sounded like ass with those lines I didn't.
Why? You already shot yourself choosing to take some internet dweeb's word for how it goes instead of developing your ears.
Who cares? Tab, lyrics and chords on the interwebs are often wrong...very, very wrong sometimes. Tab is generally worth about what it costs.
Yes it does. There are several factors as to why but one is that whether or not you you're aware of it you're constantly muting to some degree with your left hand. It takes a ****load of practice to mute an open string and make it sound like you're doing it on a closed string.
First, I know someone is going to say play it how I want. Thanks, but looking for more. Consider this a bass theory question.
Working on a song (using tab, shoot me) and the tab shows to play the open D. Does the open string really sound different? I can't hear that sort of difference if there is one. Cheaper Yamaha, cheap practice amp at a pretty low volume, and very bad ears. The ears being the main cause.
Instinctively I am wanting to play the D on the A string fifth fret.
I know that tab isn't sheet music and is the interpretation of whoever did it (this is on Songster,btw). I am curious why he/she would have selected the open string D instead of the fretted. Part of my problem may come from having read somewhere way back when that open notes are to be avoided if possible. 25-30 years ago, so please don't ask for the source. One of the many books or videos I had is all I remember. And I could be remembering it out of context.
Thanks,
Russ
...2) Being a great bassist has a lot to do with knowing what's next, not just where you are.
<snip>
So, yes, "it depends". But, to me it's more than that. It depends on where you are BEFORE, or are going AFTER, that note is what it depends on.
Working on a song (using tab, shoot me) and the tab shows to play the open D. Does the open string really sound different? I can't hear that sort of difference if there is one. Cheaper Yamaha, cheap practice amp at a pretty low volume, and very bad ears. The ears being the main cause.
Thanks,
Russ