• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

G&L L5500 - what do we know about it?

I was searching to sell/trade my Musicman Stingray and ended up swapping it for a late 90's (or early 2000's?) G&L L5500. This one is #1052 apparently and with the infamous EMG pickups.
Previous owner modded it to run on 18V.

gS8VW8Gl.png


What do we know about this bass? I was surprised about how little Google could provide me about this bass.
 
I know a little bit about them, had a couple for a while. Mine had EMG 40's and a BTC tone circuit, at the stock 9v. The 18v setup on yours is a mod, supposedly for more dynamic headroom.

The L-5500 is the only G&L bass designed entirely out of house (I forget the designer's name). Ergo the EMG array. It also has a unique body shape. Even tho it looks like the others, it's actually shaped more sleekly.

The L-5500's also have their own unique serial numbering system, and a six-bolt chrome neck plate with micro-tilt. IICR, they only made about 400 units. They came in a variety of finishes, including Swirls. The earliest ones have the pickups located farther apart than yours.

One of mine was 1 7/8" wide at the nut. The other one was fully 2" wide at the nut. I loved the huge organ-like sound of the EMG's, but hated the heavy weight. Both were well over 10 lbs.

jb2pups_0734.jpg
 
  • Like
Reactions: TonyP-
The L-5500 was designed by Paul Gagon and Steve Grom. Gagon was an employee of BBE sound when they acquired G&L, so the L-5500 is an in-house design, albeit by what was recently added talent at the time. Gagon is the person responsible for the recent development of the M-series electronics.

As I understand it, the 5500 was intended to give G&L a 5-string offering to span the gap between the L-5000(unpopular due to the very narrow string spacing - essentially 5 strings crammed into a 4-string bass), and the release of the L-2500. This information should probably be taken with a "grain of salt", as it is sometimes difficult to believe that G&L had any master marketing strategy in place, as some things in their lineup seem to originate without a clear "reason to be".

I've never had the opportunity to play one of these, but hope to do so at some point. Most every description I've heard or read says the sound is clean and massive and the build quality excellent. The word heavy is often used in describing these. The L-5500 can definitely be called the "Un-G&L G&L".
 
  • Like
Reactions: TonyP-
Congrats, how does it sound?
Its very even like (EMGs can do that), it does not sound at all like a M or L.
More controlled so to speak that MFDs.

It needs a very good setup...My deceased production partners Brother and His wife knew I started working wiht G&L over the past year and gave to me....It was sitting in a closet. I might refinish it and clean her up a bit...Fret dressing ect.
 
Last edited:
Thank you, how's the low B so far?
As stout as any G&L 2500, which for 34" scale is real good. IMHO

Is it defined as a 35" modulus? No, but does it tighter then most and no flubbyness to it. I'm not a luthier but Im taking an educated guess that the more meat in the neck and that stout bridge has something to do with it.
 
Just a heads up on the this model sounding massive. I don't think it does. It's sounds like what you would expect a FSO would sound like with EMG DCs in basically PJ positioning. Clean, sophisticated, leaning to a modern tone, but not crazy huge.

This is just my opinion, I have these pickups in other basses. I debated about making it a L series instrument, but mostly likely I won't, but there is a good chance I will drop a EMG CS DC in the neck.
 
I also heard so much about the weight of these things....Mine is not to terrible. According to my luggage scale, its 9.8 lbs.

These necks are beefy, does not bother me but its much more full then a modern 2500 neck. I would call it a full C.
I'm more mostly all of this hear for future reference if some is looking this model up.
 
  • Like
Reactions: evil1603
I remember being 16 and having to choose between a beautiful blue 5500 and a black and maple 1505. I wanted the 5500 so bad but dad wouldn't buy it because it had "them damn EMG's". Ended up with the 1505, always wonder what could have been.
 
  • Wow
Reactions: TonyP-
I remember being 16 and having to choose between a beautiful blue 5500 and a black and maple 1505. I wanted the 5500 so bad but dad wouldn't buy it because it had "them damn EMG's". Ended up with the 1505, always wonder what could have been.
There is support group on
Facebook that address the "Unethical treatment towards EMG pickups"…I pray that your situation is better. 🫣
 
  • Haha
Reactions: Sid the Kid
I remember being 16 and having to choose between a beautiful blue 5500 and a black and maple 1505. I wanted the 5500 so bad but dad wouldn't buy it because it had "them damn EMG's". Ended up with the 1505, always wonder what could have been.

If your tastes are anything like mine, I think you may have been impressed with the 5500's massive note authority, thanks to the EMG setup. The BTC circuit has internal dip switches to center the hi freqs. Adjust to taste. The B string...strong and clear. Freq spread...as wide as can be. I loved the 1505 too, but as great as it sounded, I felt the 5500 sounded much bigger. YMMV Cheers.
 
  • Like
Reactions: TonyP-