Sounds unnecessary - he can just let us know when the gig is and I'll poke my ear out the window.That sounds like it will be epic! Maybe post an audio sample too?
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Sounds unnecessary - he can just let us know when the gig is and I'll poke my ear out the window.That sounds like it will be epic! Maybe post an audio sample too?
Ha!Sounds unnecessary - he can just let us know when the gig is and I'll poke my ear out the window.![]()
Bought both the Legacy 800 and the Fusion 800S with the intent of A/B'ing them and returning the one I liked less. Very very bad idea, because I've spent days doing that and am no closer to a decision than when I started....
View attachment 7001072
Jealousy! I so want to try a Fusion 550.View attachment 7004295
I had been playing the Fusion 550 through the 212, which sounded incredible. This weekend I finally got around to swapping things up and put it into the 210/115 stack.
Oh yeah.
Played my BTB 4 w/ flats into this rig. It was beautiful.
That's all.
I love GK.
ok, not all…that Gretsch into the Mesa 800+ with the 212 is going to be my gig rig for the foreseeable future. Sweet, sweet tone. Doing an acoustic (ish) 90s cover duo, so it works perfectly.
kgb
I recall trying one out when I was looking for a new amp to replace my old Eden WT-300 that sh!t the bed. I was focused on GK because at the gig when my amp failed, the sound guy bailed me out and dragged an RB400 out of his truck. Playing through that gave me a new perspective. Anyway, I tried out everything the store had (which was a lot at the time) - RB series, MB series, MB Fusion, and the Fusion 550. I remember the Fusion 550 sounded so good. I played that through a GK NEO410 and honestly I could have just taken that whole rig home. But I was enamored with the small footprint and light weight of the MB series, I ended up getting the MB500. But that memory of the Fusion 550 stays with me.Jealousy! I so want to try a Fusion 550.
Thanks for sharing your experience with these heads. I'm using my RB heads the most because I like the tone more, even though I have an MBF800 for backup or dual amping and an MB200 in the rehearsal studio. The MBF800 is powerful, but somehow less pleasing to my ear compared to the RBs and it changes volume more than the RB heads do when my synth or fuzz pedals kick on. I do check the classifieds for a Fusion 550 but so far, no joy.I recall trying one out when I was looking for a new amp to replace my old Eden WT-300 that sh!t the bed. I was focused on GK because at the gig when my amp failed, the sound guy bailed me out and dragged an RB400 out of his truck. Playing through that gave me a new perspective. Anyway, I tried out everything the store had (which was a lot at the time) - RB series, MB series, MB Fusion, and the Fusion 550. I remember the Fusion 550 sounded so good. I played that through a GK NEO410 and honestly I could have just taken that whole rig home. But I was enamored with the small footprint and light weight of the MB series, I ended up getting the MB500. But that memory of the Fusion 550 stays with me.
The F-550 Is my Favorite , 700rb-II, coming in just behind it , and they are very similar , but that tube front end just gives the RB that extra harmonic "pizazz!" and texture . 800RB is my 3rd pickThanks for sharing your experience with these heads. I'm using my RB heads the most because I like the tone more, even though I have an MBF800 for backup or dual amping and an MB200 in the rehearsal studio. The MBF800 is powerful, but somehow less pleasing to my ear compared to the RBs and it changes volume more than the RB heads do when my synth or fuzz pedals kick on. I do check the classifieds for a Fusion 550 but so far, no joy.
How handy are you, and do you have access to power tools?I am trying to brainstorm some kind of MacGyver solution to hold it securely
hmmm... i'd say not very, and not really haha. Looking for more of a turnkey solution but any and all info about how others have done it would be useful at this point.How handy are you, and do you have access to power tools?
Dave, you've used a Berg Forte, Genzler Magellan 800, GK Fusion 800S, and now the Legacy 800 with this NeoIV 212 cab. Is the Legacy your favorite and if so, what about it makes the match up so good?
Dave, you've used a Berg Forte, Genzler Magellan 800, GK Fusion 800S, and now the Legacy 800 with this NeoIV 212 cab.
... i'm kind of a gear hound , and the Magellan 800 is still the gold standard , imo .Is the Legacy your favorite and if so, what about it makes the match up so good?
I've been running an Ashdown Shavo 22 head with my NeoIV 212 and it's an absolute beast and great for the rock we play, but I'm curious about the Genzler Kinetix 800. I love the punch of that cab but like how a tube preamp warms it up. The Kinetix lean/thick/fat switch looks like a good way to tailor the low end and the EQ points are well chosen.... i'm kind of a gear hound , and the Magellan 800 is still the gold standard , imo .
consistently good tone , plenty of power , very reliable .
sounds great with the G-K cab .
i've been looking for a good second amp for awhile now .
the Berg , Fusion 800s and Legacy 800 sound good in their own way ,
just maybe not for the bluesy stuff i play .
... i recently started using an Aguilar Tone Hammer 700 .
it gets loud enough , sounds good and gets the tones i've looking for .
it seems to match up well with the G-K NEO 212 4 ohm cab .
time and upcoming gigs will tell the tale ...
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... oh yeah , i'd love to try the Kinetix 800 .... I'm curious about the Genzler Kinetix 800. I love the punch of that cab but like how a tube preamp warms it up. The Kinetix lean/thick/fat switch looks like a good way to tailor the low end and the EQ points are well chosen.
Alright, so my late '80s model 800RB has become my main player at band practice and I'd love to start gigging with it. Problem is that I really need to have my equipment racked in cases to feel comfortable taking it on the road. Don't want to get knocked around (especially this amp with the relatively easy to bend heatsink fins!) or have an issue loading in/out in the rain.
I cannot for the life of me find rack ears for sale for these which is surprising considering how iconic and popular these amps are to this day. As far as I can tell, the one I have doesn't even have holes to accommodate rack ears if I DID find them - it looks like the one in this picture, completely smooth on the sides with no holes.
View attachment 7005782
I am trying to brainstorm some kind of MacGyver solution to hold it securely in a rack case but I think it might be fruitless.
I understand that the amp was designed before gigging with rack cases was commonplace, but find it surprising that there isn't a widely accepted retrofit or other solution to rack these guys!
Anyone here have some insight?