Heh, a part of me has been waiting for this vid to finally appear....
Sounds great!
L
Sounds great!
L
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Here is a little more thumb wok. I love the tone!
After a ridiculously long layaway, I finally took my American Geddy Lee Fender Jazz home. It is great, but the fact I have to take the neck off to adjust the neck (just like a vintage Seventies Jazz,) is a pain in the butt because it could use a little tweak. Still, I am very happy because I have wanted a Seventies style Jazz since the actually Seventies. I will never forget when Bootsy’s RubberBand opened for Parliament, and Bootsy had a pretty white Jazz because his original Space Bass had been stolen. I remember War’s original bassist, B.B. Dickerson, on stage with Jazz, and I remember the guy from Spain in Heatwave who had a Seventies Jazz too. Ironically, the one time I saw Larry Graham, he had an Alembic.Of course, the greatest bassist of my generation, Marcus Miller, rocked a Seventies Jazz, and his Fender is his number one till this day. The funny thing is that I always loved the Geddy Lee Signature Jazz much more than the Marcus Miller. I almost bought a CIJ Geddy about fifteen years ago. That said, I am a pretty big Geddy Lee fan too. I would like to unload my Music Man SUB5, but I may keep it since no one is biting in the classifieds. My Geddy is my four and my Pedulla and my Carvin are my fives.
Nice... did fender discontinue that model?
I mean...it takes maybe three or more minutes to do...not THAT big of a deal...Fender had 21 years between the introduction of their first bass and 1972 to realize that you should be able to adjust a truss rod without having to take off the neck. Their stubbornness in matters like these is why, although I play instruments that are similar in many ways to Fenders, I have never actually owned a whole Fender bass (I had a bass with a Fender neck once, so I've owned half of a Fender bass. The body (which wasn't a Fender) was the first of several bodies where I've routed a truss rod access channel.
It's not that hard to fix these things, so long as you're paying attention, and are willing to put in a tiny bit of work. The company I work for, we make gear for pro sound use. If we acted like Fender, our competitors would have taken all our business many decades ago.
Fender thrives because they have the original sound and people like nostalgia. A little rout would make removing the neck unnecessary, but a lot of people literally want a bass just Geddy’s.Fender had 21 years between the introduction of their first bass and 1972 to realize that you should be able to adjust a truss rod without having to take off the neck. Their stubbornness in matters like these is why, although I play instruments that are similar in many ways to Fenders, I have never actually owned a whole Fender bass (I had a bass with a Fender neck once, so I've owned half of a Fender bass. The body (which wasn't a Fender) was the first of several bodies where I've routed a truss rod access channel.
It's not that hard to fix these things, so long as you're paying attention, and are willing to put in a tiny bit of work. The company I work for, we make gear for pro sound use. If we acted like Fender, our competitors would have taken all our business many decades ago.
Hey, you know it’s the real deal!Congrats, Doc! It’s been a long time coming, but having owned one, I know it was worth the wait!
I’m planning on buying another US Geddy to replace the one I stupidly sold. It was the best passive J bass I’ve ever owned or played, but being stuck on 5 strings, I didn’t use it enough. But I’ve got more use for a 4 string now, so..
Enjoy it until the MetroExpress arrives. Lol
I have a MIJ Geddy that is awesome.

After a ridiculously long layaway, I finally took my American Geddy Lee Fender Jazz home. It is great, but the fact I have to take the neck off to adjust the neck (just like a vintage Seventies Jazz,) is a pain in the butt because it could use a little tweak. Still, I am very happy because I have wanted a Seventies style Jazz since the actually Seventies. I will never forget when Bootsy’s RubberBand opened for Parliament, and Bootsy had a pretty white Jazz because his original Space Bass had been stolen. I remember War’s original bassist, B.B. Dickerson, on stage with Jazz, and I remember the guy from Spain in Heatwave who had a Seventies Jazz too. Ironically, the one time I saw Larry Graham, he had an Alembic.Of course, the greatest bassist of my generation, Marcus Miller, rocked a Seventies Jazz, and his Fender is his number one till this day. The funny thing is that I always loved the Geddy Lee Signature Jazz much more than the Marcus Miller. I almost bought a CIJ Geddy about fifteen years ago. That said, I am a pretty big Geddy Lee fan too. I would like to unload my Music Man SUB5, but I may keep it since no one is biting in the classifieds. My Geddy is my four and my Pedulla and my Carvin are my fives.