All but about 2 songs on Moving Pictures were recorded with either the double neck Ric or the Jetglo 4001
Half of moving pictures was the 72 jazz and half was the 4001. Geddy sounded about the same with both basses.
Guys, I have both a vintage '70's Ric and a Jazz. The only song on Moving Pictures that I actually think is a Rick is Red Barchetta. Everything else sounds like the jazz. There's a certain punch to the upper range of a Rick -- it is thicker in the bottom end. I only hear it on the high runs on Red Barchetta. When he goes high on the other songs, there's a less aggressive bottom end attack.
As far as the sound -- Moving Pictures is kind of unique for the recorded bass tone. it is highly distorted but it's a very nice blended distortion. The only other bass tone like it that I have heard is Close to the Edge . . . which is what I think Ged was trying for on that album.
The sound is in the fingers, however. It doesn't matter what equipment Geddy uses, or Squire. They sound like that because that's how they play.
Half of moving pictures was the 72 jazz and half was the 4001. Geddy sounded about the same with both basses.
Guys, I have both a vintage '70's Ric and a Jazz. The only song on Moving Pictures that I actually think is a Rick is Red Barchetta. Everything else sounds like the jazz. There's a certain punch to the upper range of a Rick -- it is thicker in the bottom end. I only hear it on the high runs on Red Barchetta. When he goes high on the other songs, there's a less aggressive bottom end attack.
As far as the sound -- Moving Pictures is kind of unique for the recorded bass tone. it is highly distorted but it's a very nice blended distortion. The only other bass tone like it that I have heard is Close to the Edge . . . which is what I think Ged was trying for on that album.
The sound is in the fingers, however. It doesn't matter what equipment Geddy uses, or Squire. They sound like that because that's how they play.
I tried with a bit more of drive and it's not so far from Squire...