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Geddy Lee Jazz - an update

The bass was originally released as a limited edition run that ran for a year or two and was CIJ - it was then released as an artist series. As previously mentioned, CIJ versus MIJ is just which Japanese factory made the instruments.

I actually prefer the original pickups - they lose a little bass but have a massive amount of snarl that most replacement pickups do not replicate.
 
Yup! The now MIM which were first CIJ have a very thin neck like the original neck on Geddy's original '72 Jazz. Geddy replaced the original neck on his '72 with a production CIJ neck from one of his Sigs for a while(During the Snakes and Arrows Tour) and then the Fender Custom Shop built him 2 new thicker necks which he loved. One is now on his '72 (Time Machine Tour-present day) and the other on another '70s Jazz which was one of the '72s backups.

Hope this helps,
Brent

I wonder if one of those went on the '74.
 
My MIM has a thinner neck…it has what I imagine a Geddy neck to be. It’s a Geddy sig…I want a toothpick.

The US model I had had a thicker neck. Great bass though.

I have Brantleys in the MIM. They’re killer. I greatly prefer the tone to that of the stock US model.
 
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Apparently pros like Geddy are vastly less concerned about neck profile than some of the obsessives on talk bass;)



Which one tho?:woot:
IMHO the MIJ and the MIA are both really good but as others have said they are each good in their own way. The MIA is a great solid Jazz Bass. To me, better than a regular MIA Jazz. The MIJ Geddy's are growlier, the neck is a little thinner and the hardware is maybe not quite as good. The MIM Geddys are not quite as consistent from bass to bass as the MIA or MIJ. Over all the MIJ has a little more personality but the MIA is more solid and (to me) a better neck profile.
 
To add to this; from what I’ve read over the years, the MIJ’s had an even skinnier neck. I don’t have any measurements, nor have I sampled an MIM model, but one time I got to try an MIJ Geddy. That neck was razor-thin, so much so I knew it wouldn’t work comfortably in my handsFor perspective, I can handle a chunky MIM Classic Jazz neck without an issue.

I tried an MIJ. I like a shallow neck, but I was worried I might sneeze and snap the neck off.
 
I don’t have any experience with the two you’ve mentioned - but, if OP or anyone else is interested, here is the profile of a (2005) MIJ GL neck. I have had it on a P body since 2012… was my #1 for a number of years… still gets played a lot :thumbsup:

5C40619D-FA80-4820-BB1D-2285FC9E7E78.jpeg
 
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The original Geddy with the thin neck was not the best Jazz Fender made. Necks were a bit thin, and as mentioned above, could be prone to forward bow, where you couldn't loosen the truss rod enuff to get proper relief. Sound was OK, but the Brantley pickups, and others, greatly improved low end response.

The Mexican basses fixed the neck issue, but not the tonal issue. To me they sounded great as is. But had a very traditional Jazz sound. Slightly thin. And, playing the bass in modern gear, a bit of low end needs to be added to really get close to Geddy's sound. Nuttin wrong with that, either. He adds low end, too. But a lotta guys who just wanna run their amps flat would be disappointed.

The best Jazz Fender has made, and the best Geddy "clone" they made with the correct aesthetic was the 2010 to 2015, or so, American Deluxe Jazz. The black with Maple neck, blocks and binding, very much resembles Geddy's main. But, it has a better neck (asymmetrical, graphite reinforced, 5 bolt attachment to body with contour), better electronics (active/passive with a VTC, better pickups (third generation noiseless, tho there are two different versions, the earlier being the more aggressive) and a more legit overall sound. Its used price sits in the middle of the American and Mexican Geddy Signature. I own a 5 string version from 2010, and with steel strings run passive it simply nails Geddy's tone. Plus, no Geddy signature on the bass.

I wanted a Geddy, but I played a few different ones and went with the Deluxe. Just too many advantages.
You forgot to mention the different body shape that the Deluxe series...to Ultra, has.
That is the deal breaker for me
 
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Yes it is. Basses very often referred to in this way, not just in this thread but all over the forum. Years ago it was MIJ, and that's how I referred to the numerous MIJ instruments I owned, but over time it's become CIJ, but not CIM. I have theories as to why though...

Just to clarify , your question was "Why is it Made in Mexico, yet Crafted in Japan?"

My answer is that the ones made in Mexico are not Crafted in Japan, they are made in Mexico.

Fender had a couple of affordable signature models that were MIJ/CIJ, namely the Marcus Miller Jazz and the Geddy Lee Jazz. They were MIJ/CIJ when introduced and remained that way for several years until production of these models was eventually moved to Mexico to keep the MAP costs of these models affordable. If you get one that is MIM, it reads Made in Mexico on the headstock. The CIJ/MIJ markings will not appear on the bass.

Hope that clarifies things.
 
Why is it Made in Mexico, yet Crafted in Japan?
At first, Fender-Japan models built at the FujiGen Gakki factory were labeled "Made In Japan". In/around 1996, manufacturing was switched to the Dyna Gakki and Tokai Gakki factories. So musicians would know where their instruments were made, FMIC stipulated that they change the designation to "Crafted In Japan", which remained until the FMIC/Kanda-Shokai joint venture was dissolved in 2015. Once Fender took over complete control of the Japanese market, they reverted back to "Made In Japan". :bookworm:
So, to be all "technical an' stuff", Japanese Geddy-sigs should all be "CIJ", not "MIJ". But even if someone makes that teensy boo-boo, I think it's fair to say we all understand the context, so no big, no harm, no foul?
 

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