Geddy observation

It's really interesting to borrow someone else's gear or to let someone play yours.

The other day a band friend stopped by the rehearsel and asked me if he could jam with my bass for a while. He didn't change anything at the amp or the general settings and he sounded REALLY different.

It's all in the fingers.

That being said, you still have to be concious about your gear equipment that best suits the sound in your head.

Besides, Geddy may have changed the basses, but the rig is still the same I think! Those settings come from years of searching for his tone and hard work.

 

Personal technique. I think a lot of it is how hard he hits the strings. The clank of the frets and so forth.

 

I can totally relate. While my basses are pretty different from each other, I tend to get pretty close to the same tone no matter which I play.

At least the basic tone is the same. I may add some bridge pickup depending on the bass. But for the most part, I sound like me no matter what I'm playing.

 

All valid points. I believe the key to a bassist's sound is 80% the person, 10% the bass and 10% the amp/gear. I am willing to suggest that Geddy Lee could pick up an unmodded SX & a small practice amp, and still deliver his personalized sound.

 

I agree a little bit...

Listening to different tracks on Moving Pictures, hard to tell if it's the ric or the J... But a song like Working Man is lightyears (tonewise) from Big Money - and there are likely better examples, I just pulled that one out of the air...

Geddy always sounds like Geddy - but there are many shades of Geddy...

Just my observation...

 

I think that the tone is comprised of 80% amp and effects, 15% player and 5% bass.

But that's just me!

 

Remember - Live tone and studio recording tone can be quite different

 

Not sure about you, but no way my pbass is gonna sound like my warwick no matter who is playing it

 

I think we often use the word tone when we mean nuance (playing style).
I like to think that I can get my tone out of any amp, but I do think I need a certain level of gear to get "my tone".

 

Dare I say...

It seems the tone of this thread has changed...

 

The "all in the fingers" gets me everytime. I can't stay away from those discussions!

 

I like that !!

I agree. There is a video of some 10 year old at the NAMM show (I am 44 and STILL haven't been !!!). He plays a Fodera, then a completely different bass - I don't remember what kind and sounded nearly identical on both !

I LOVE Geddy's signature tone. I've been chasing it all of my life. I know a lot of his sound comes from Trace Elliot power amps and SansAmp RBI preamp.

To me, Geddy's "best" ( in other words MY favorite) is his WAL bass tone on Hold Your Fire and Power Windows, especially Hold Your Fire. To me, it's PERFECT bass tone.

Ahhhhh.... Geddy

 

Agree!

 

I concur. I thought the Wahl had a very unique sound, but not something I would call the PERFECT tone. I have been listening to Geddy for about 33 years now (I'm 46) and I would have to say that for a tone that is heavier on the top end, the Ric really made the TONE statement on Moving Pictures.

 

I am 44 so we both were in high school in the 80's.

Yes, his Ric tone was so signature, too !

Geddy is the bar where tone is set for me along with Stanley, and Mark King (on True Colors)

 

He's changed setups over the years but I think his current setup is all DI - SansAmp RPM for grit, Avalon U5 for clean tone, and Orange 2000 (i think that's the correct model) into a Palmer speaker sim for tubeyness.
Engineer mixes the 3 signals to taste.
I think he uses that setup live as well.

His playing style is consistent on every recording though no matter what bass or rig he's using.