Power Windows, Hold Your Fire, Presto, Roll The Bones = Wal (Ged's best tone ever)
Counterparts and beyond = Jazz.
Counterparts and beyond = Jazz.
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My Lakeland 5502 has a very similar tone to what I hear on PrestoPower Windows, Hold Your Fire, Presto, Roll The Bones = Wal (Ged's best tone ever)
Counterparts and beyond = Jazz.
Wal (Ged's best tone ever)
That's definitely the JBass. IIRC it's mixed in three tracks: distorted with sansamp, DI, and DI with speaker simulator.
When I want to get into Geddy tone, I usually go for a two-track approach with a compressed DI and compressed+distorted track with high and low pass filters on it (so that you distort the midrange but leave the bottom end and top end alone so you don't get loads of mushy distorted low end or too-harsh distorted top end), grab the jazz bass, and then *dig in like crazy*.
Yupper!Pretty sure that was the record he went back to his Fender Jazz for, after the Wal phase
I think it was a SVT through a Trace Elliot cabinet. I have the Bass Player magazine around here somewhere....Could have been an SVT, but I seem to recall Caveman saying it was on old B-15 Fliptop. Can't recall when/where I saw that, though, so pinch of salt may be needed
He had a more complicated setup for R40. I know he had a Fractal AxeFX for matching the volumes of the various basses and some other " toys".As long as live equipment go, there were 4 lines:
clean to Avalon U5
clean to Orange Ad-200B
SansAmp RBI to Avalon U5
clean to Palmer PDI-04 or other Palmer speaker emulator
...or something like that LOL. I guess @Gefilter1001 might be of help here.
Some time ago though I happened to speak with one of his sound techs during the R40 tour and he said he was using digital plugins then (either "too" or "exclusively", I don't remember that).
I notice I get in the ballpark with my Warwick. You can hear the Warwick in it because it's like playing a Ricky you're always going to hear that sound but I definitely can push the mids the right way and get that sound. When I play my hohner headless b2a it's definitely close to the steinberger sound from grace under pressure.My Lakeland 5502 has a very similar tone to what I hear on Presto
As long as live equipment go, there were 4 lines:
clean to Avalon U5
clean to Orange Ad-200B
SansAmp RBI to Avalon U5
clean to Palmer PDI-04 or other Palmer speaker emulator
...or something like that LOL. I guess @Gefilter1001 might be of help here.
Some time ago though I happened to speak with one of his sound techs during the R40 tour and he said he was using digital plugins then (either "too" or "exclusively", I don't remember that).
Diff'rent strokes and all that, I guess. Nothing in their entire catalogue even comes remotely close to topping his Exit Stage Left tone to my ears
Is that all the same bass? Geddy liked to mix it up when playing live.Diff'rent strokes and all that, I guess. Nothing in their entire catalogue even comes remotely close to topping his Exit Stage Left tone to my ears
Is that all the same bass? Geddy liked to mix it up when playing live.
That's excellent. I have it next in my playlist.Yes indeed, that was the last full-Rick tour. He was, I believe, using 4 SVT fridges by then; two for the neck pickup, two for the bridge pickup. May have been just one fridge each, but yeah. It was a rig built for touring the Ric-o-Sound, despite him using the Jazz on some of the studio material by that point.
Is that all the same bass? Geddy liked to mix it up when playing live.