It was proto-metal in that its rhythmic content scandalized some audience members and caused an uproar during its earliest performances.Seeing/hearing Stravinsky’s “Rite Of Spring” from a full real orchestra is a must experience.
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It was proto-metal in that its rhythmic content scandalized some audience members and caused an uproar during its earliest performances.Seeing/hearing Stravinsky’s “Rite Of Spring” from a full real orchestra is a must experience.
I was just going to bring that up…a good example would be the Velvets. I have long held, as have many others over the years, that they were the second most influential band after the Beatles, but I would have to qualify that with the word “exponentially”. They were a slow burning fuse, that still continues. I used to joke that practically every song on their first album(let alone others)started a sub-genre themselves. Now, that was meant to be a bit tongue-in-cheek, as I suppose Brian Eno’s famous quip was, but still there is a grain of truth. Case in point, “Black Angel’s Death Song” certainly birthed Sonic Youth, or at least Glenn Branca. “All Tomorrow’s Parties” is ground zero for Goth, in my estimation.
Oh yeah, Eno, now there’s a likely candidate for this category.
I was going to note (churlishly) that I don't hear much Velvets influence in the one piece i happen to own that was composed by Glenn Branca, but I didn't remember the opus number. (Found it in an "Any CD for 1 Dollar!" closeout bin; now buried in one of several boxes of disorganized jewel cases.)
So I listened to the first minute or so of a bunch of his earlier "Symphony No. . . . " .pieces, and you're absolutely right. Unmistakable VU DNA in those earlier works.
But I'm linking to Symphony No. 9 anyway, just because you and a few others might find it inspiring, if maddening, to listen to.
Nonsense, Dr John is nawlins funk and the dead are Birkenstock rockListening to the Grateful Dead the other day it occurred to me that they don’t really fit into any genre. The same happened today with Dr John. So, I’m curious to know who you would add to this list?
Les, Ler, and John are the first band I thought of for this thread. Les himself said that Primus is a genre defying group.Primus
Frank Zappa, his work ranges from rock and jazz to avant-garde, classical, and comedy, with frequent genre shifts.
Yes, you are right. There is a lot of confusion between prog and fusion. Prog did indeed fuse multiple musical genres to create its music, plus utilized much longer individual compositions, but fusion took it in a pretty singular direction, towards a harder jazz/metal sound. A friend recently sent me a clip of the first Mahavishnu concert we attended in '73 in Chicago, in a high school auditorium, filmed on Super8. Watching the short clip I realized how much of the energy came from the frenetic drumming of Billy Cobham, and the crazy fast shredding riffs John played. So I think that was a lot of the distinction between when something was prog version fusion. Hyperspace, versus normal space?I grew up as a prog rock guy (stuff like ELP, King Crimson, Rush, Yes, Genesis, etc) which if I had to group as a genre, I'd say progressive rock. For me, progressive is an adjective that can be applied to any genre where the artist is, in my mind, trying to push the boundaries of what their conventional genre would allow. So a band that is 'genre defying' to me would simply get the prog prefix added to it's closest common genre.
On the jazz side, something like Return to Forever would be a good example of progressive jazz. The trouble with anything that is 'progressive' or attempting to meld different genres together in a way is that which of these genres do you use as the main suffix. For instance, Opeth. Are they progressive metal? They could be progressive folk too. I kind of stopped trying to even use genre labels for prog bands a long time ago because it is futile in my opinion. The whole point of being progressive is always changing and pushing the boundaries so bands like Opeth, Steven Wilson, etc are often putting out albums that intentionally are not like the previous ones. The might have a poppy sounding album and then follow it up with a metal focused sound and then go folk the next time.
Scott had the most unique career/artistic trajectory ever. I can’t think of anyone else who could touch that.OMG Scott Walker, from quirky '60s crooner to moody '80s atmospheres, on to doing an album with Sunn O)))!
Good to see Brian Eno mentioned more than a few times, talk about someone crossing, not to mention creating genres!
Miles Davis
Beck - sometime employer of TB's very own Justin Meldal-Johnsen, is the only person I think could credibly top the bill at rock/pop, folk/country, EDM, R&B/hip-hop, blues, and punk/noise festivals, and then finish it off with a night at the symphony!
Bjork
I'd like to find the twit who invented the term "Americana", and let the air outta' all four of their tires. And steal the valve stems. So they have to hitch. With an Uber with an EDM playlist
Totally, Meat Puppets too.
He was playing Meat Puppets II. I didn't get it at the time. I was like "Can you play some Sabbath, man?"Yeah, whoever said that about "The Band" obviously doesn't know what Americana is. It was and is the music from rural American, much of it from the plains states, settlers, dating back to the late 1800's. My first girlfriend in college was the leading singing student at the college music school, and went on to a career singing it. "This Land is Your Land...." is one example.While you are at it, can you find the guy who "decided" that The Band invented Americana? That's a guy I'd like to punch in the face. I heard that statement a bunch of times during a doc on The Band and I wanted to scream.
Man....they were just playing music, if you ask me.
LOVE the Meat Puppets!!! But man, when I first heard them in a buddies can back around '83, I didn't know WHAT was going on!He was playing Meat Puppets II. I didn't get it at the time. I was like "Can you play some Sabbath, man?"
While you are at it, can you find the guy who "decided" that The Band invented Americana? That's a guy I'd like to punch in the face. I heard that statement a bunch of times during a doc on The Band and I wanted to scream.
Man....they were just playing music, if you ask me.
Well, it kicked ass on my Marantz quadraphonic system. I think the only 2 albums that really utilized that format effectively were that and Miles' "Bitches Brew." Cannot remember another one, but perhaps those brain cell died? By the time "Dark Side of the Moon" came out Quad was dead and buried, but of course Floyd used it very well in live performances.It was proto-metal in that its rhythmic content scandalized some audience members and caused an uproar during its earliest performances.