- Mar 22, 2004
- 13,004
- 4,741
- Disclosures
- I play it all. Whatever works for the gig. Q+
My main concern is always the FEEL of the note.. And I think this amp does deliver the FEEL as intended. I'm glad people are noticing this..
Because that is the deciding factor for many players. They have become used to some lightweight amps not delivering the FEEL and not following the Envelope of the note.. The Magellan when i had it for demo delivered in every way.
I thought the Magellan kept the FEEL integrity in a great way.. Feel is important . Just as important as overall Volume. maybe more so
I just had a change in summer line up and i can see using this head now. I too would use 3 cabs...
Because that is the deciding factor for many players. They have become used to some lightweight amps not delivering the FEEL and not following the Envelope of the note.. The Magellan when i had it for demo delivered in every way.
I thought the Magellan kept the FEEL integrity in a great way.. Feel is important . Just as important as overall Volume. maybe more so
I just had a change in summer line up and i can see using this head now. I too would use 3 cabs...
Hi. Magellan gig report from a local dive bar in the UK, for those interested.
I use three 12's and was using a Shuttlemax 9.2 as pre/power for one cab at 8ohms, and a Streamliner 900 power amp only for the other two cabs at 4ohms. I was intrigued by all I'd read about the newer D module amps and particularly the Genzler Magellan pre that was reported by some as a Shuttle/Streamliner mix capable of 2.67ohms. I like the "Extremeliner" tag, and having now used the amp it's a great description. It can do a wide range of tones and is versatile beyond my ability to describe, however at gigs I'm a modern "old school" fingers and pick guy. I'm using a B7K for a little dirt on some tunes, so I used the clean channel, but for me the magic sauce is Contour B at about 10.30. Accident or design, but the curve worked perfectly at containing the 12's and 6's I have.
I knew all the background, so buying the product wasn't a risk. It's silly really, but my main concerns were when driven hard how would it perform at 2.67ohms, and would it heat excessively and have the fan running hard all night. The blurb says not, and the manual claims "Weighted feel to the notes", "Vintage harmonic textures", and "Exceptional thermal management". Can I just say, all of this is true. No hype, I did notice a real difference to the feel of the notes, and the amp at the end of a hard gig was barely warm so the fan had no reason to work harder.
So impressed with the Magellan. Tone enthusiasts may extoll the virtues of lead-sled, but for me (from memory) the gap is now negligible for gigging musicians. Also, I can now get my amp, pedals and all connects in a small pelican case. What's not to like about that?
I'm happy to say that for my needs, its a perfect format. Easy to adjust on the fly and a mix of Shuttle/Streamliner, only better. I might now flip the 'Max and buy a backup Magellan (and probably won't ever need to use it).
YMMV, but for me, gig tone was absolutely superb. The guitarists noticed the difference. I owned the room!
GAS-free pants-flappingly good.
Regards.
I know, pic or it didn't happen (sorry about the poor lighting/quality)
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