Ain't no magic I ever seen what makes a bass go. Plain old 'putting in the time is all I've ever seen that works.
When I started the
MTftBP cohort a year ago, I agreed to keep an open mind. Agreed to put in the time even if "I know this". And all of it came with a video record of my progress for me to see — videos we all commit to and follow through on. Sometimes feels a bit like a ̶r̶u̶p̶t̶u̶r̶e̶d̶ ̶b̶a̶t̶t̶e̶r̶y̶
lot of work. What it is, is a powerful tool. I came to discover this, as did others in our cohort.
Made a promise to myself somewhere along in
MTftBP there would be a new bass in the deal. A short scale (my how my world has changed!) and something that's not typically seen. It's Christmas night and I see the Acinonyx checks all the boxes,
and it's blue, and part of that agreement to keep an open mind is staring me in the face and it's done.
The first Sunday of the month is Ari's live Zoom for anyone enrolled in one of her courses, past or present. All bass and bass-related questions answered ... and this Sunday came the inevitable
what strings question.
I see a lot of my students using flats, she states.
And it all being a very complex matter, I hear one point for roundwounds reinforced — flats can mask sloppy technique.
My bass with flats is to fill the role of that British Invasion vibe ... should the job call for a thing like that. Well, ain't got no job like that,
but it's there and I love playing it.
The cat bass with rounds feels to me like it will do all the other jobs that I ain't got, and I expect I'm going to love playing it. AFIK GHS short scale are the strings that fit its slightly weird configuration, so that's Balanced Nickels or Pressurewounds for me. It comes with D'Addario nickels, a string I know well and respect. As good a baseline string as I know of.
Me being me I like strings with silks and the DaDs ain't got that thing going. Green silks or black silks, thinking I'll go Balanced Nickels first to begin this year's cohort, see what I can do about my technique