looks like youve had both versions of the F bass vf5. what didnt work about those basses? those are some of the best jazzes out there.
My god, I just looked at his profile....
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looks like youve had both versions of the F bass vf5. what didnt work about those basses? those are some of the best jazzes out there.
My god, I just looked at his profile....![]()
My god, I just looked at his profile....![]()
Really? I'd be interested in hearing more. I'm playing a NYC Will Lee right now, have been for about 2 years. However. I'm not a Sadowsky evangelist by any means. It is what it is.If you can justify putting down three to five grand for a Sadowsky, then more power to ya. Personally, I can't. I know Roger personally, and he's a great guy who makes a fine product. But I've just never understood the mindset that puts a Sadowsky in the same category as a Fodera, or an MTD, or an F Bass.
MM
You mentioned that you're into 'vintage tone'. As I just mentioned, I have an NYC Will Lee and it's been my main player for a while. The reason guys buy these basses, as far as I understand it, is that they want a Jazz bass with way better consistency, build quality, choice of configuration and customer service. I wouldn't exactly call the tones I get out of the Will Lee 'vintage'. More like 'contemporary Jazz'. I play mine with the Vintage Tone Control engaged, but it doesn't sound like the '60s Jazz basses I've played. In my view, if you want vintage tone, you need a vintage instrument, and if you have 5K to spend, you can shop around and find one that suits you.I have found the play ability and customer service of Sadowsky to be better than Fender...but that's just me.
looks like youve had both versions of the F bass vf5. what didnt work about those basses? those are some of the best jazzes out there.